Emőke Baráth
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Special offer. Vivaldi Edition Vol. 58 - Il Giustino
RecommendedDelphine Galou (Giustino), Emöke Barath (Arianna), Silke Gäng (Anastasio), Ana Maria Labin (Leocasta), Ariana Vendittelli (Amantio), Emiliano Gonzalez Toro (Vitaliano), Alessandro Giangrande (Andronico, Polidarte)
Accademia Bizantina, Ottavio Dantone
The opera seria ingredients of rebellion, intrigue, crossed love, jealousy and the supernatural feature in a colourful score with felicitous self-borrowings. Ottavio Dantone’s fine cast of singers... —
Awards:
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Presto Recordings of the Year, Finalist 2018
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Opera, December 2018, Disc of the Month
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Gramophone Magazine, March 2019, Editor's Choice
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BBC Music Magazine, March 2019, Opera Choice
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Gramophone Magazine, December 2019, Critics' Choice
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Special offer. Ombra mai fu
RecommendedFrancesco Cavalli Opera Arias
Philippe Jaroussky (counter-tenor)
Artaserse
If Handel’s Xerxes has a showmanship, an aesthetic swagger that Cavalli’s lacks in the lilting prettiness of his own ode to a plane tree, we see the Italian’s skill emerge elsewhere – in the... —
Awards:
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Presto Recording of the Week, 8th March 2019
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Gramophone Awards, 2019, Winner - Recital
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Presto Recordings of the Year, Finalist 2019
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Special offer. Vivaldi: Argippo
RecommendedEmőke Baráth (soprano), Marie Lys (soprano), Delphine Galou (contralto), Marianna Pizzolato (mezzo-soprano), Luigi De Donato (bass), Europa Galante, Fabio Biondi
Scholarship aside, what counts is whether Fabio Biondi directing Europa Galante finds satisfying music theatre in this collage. And so he does...Vivaldi’s musical fingerprints are everywhere... —
Awards:
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BBC Music Magazine, January 2021, Opera Choice
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Presto Recording of the Week, 18th December 2020
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The result is sprightly orchestral playing, textures absolutely dripping with ornamentation and a proclivity for highly varied speeds...Emiliano Toro brings an easy fluencytotheroleofOrfeo,and... —
Awards:
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Opera, December 2020
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The Times Records of the Year, 2020
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She provides a sonic feast: rich bottom-register timbre, brilliant yet voluptuous top notes and a pure core that energises even her longest lines...Crossing to the podium is a rare move for... —
Awards:
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BBC Music Magazine, April 2022, Opera Choice
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Gramophone Magazine, April 2022, Editor's Choice
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International Classical Music Awards, 2023, Nominated - Baroque Vocal
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Il Boemo
Emőke Baráth, Simona Šaturová, Raffaella Milanesi (sopranos), Sophie Harmsen (mezzo), Philippe Jaroussky, Benno Schachtner (countertenors), Juan Sancho, Krystian Adam (tenors), Collegium 1704, Václav Luks
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Opus Klassik Awards, 2024, Nominated - Film Music/Score of the Year
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Special offer. Faure: Requiem - Gounod: Messe de Clovis
Philippe Estèphe (soloist), Emőke Baráth (soloist), Chouchane Siranossian, François Saint-Yves, Le Concert Spirituel, Hervé Niquet
Like his earlier recording, Niquet favours a brisk lack of sentimentality. It is musically effective, even if it is odd to find a Requiem invigorating. —
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International Classical Music Awards, 2025, Nominated - Choral
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Special offer. Voglio cantar
Strozzi, Cavalli, Cesti, Marini, Merula
Emöke Baráth (soprano), Il Pomo d'Oro, Francesco Corti
With extrovert support from Il Pomo d’Oro and harpsichordist-director Francesco Corti, each song becomes a vocal and dramatic showcase, emphasising abrupt switches between extreme psychologist... —
Awards:
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Opus Klassik Awards, 2019, Winner - Newcomer (singer)
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International Opera Awards, 2020, Nominated - Solo Recital Recording
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Special offer. Stradella: La Doriclea
Emőke Baráth (Doriclea), Xavier Sabata (Fidalbo), Giuseppina Bridelli (Lucinda), Luca Cervoni (Celindo), Gabriella Martellacci (Delfina) & Riccardo Novaro (Giraldo)
Il Pomo D’oro, Riccardo Novaro
Emőke Baráth is a feisty Doriclea and nowhere more so than in her encounter with Xavier Sabata’s Fidalbo in Act II. But it’s Gabriella Martellaci’s rich contralto as the worldly-wise Delfina... —
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Cesti: La Dori
Francesca Ascioti (Dori), Emoke Barath (Tolomeo), Francesca Lombardi Mazzuli (Arsinoe), Rupert Enticknap (Oronte), Federico Sacchi (Artaxerse), Bradley Smith (Arsete), Alberto Allegrezza (Dirce), Pietro Di Bianco (Erasto), Rocco Cavalluzzi (Golo), Konstantin Derri (Bagoa), Accademia Bizantina (early...
It contains some of the finest operatic music to have been composed in the course of the entire 17th century, and Dantone and the Accademia Bizantina do it proud. Capitalising on the work’s... —
Awards:
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Gramophone Magazine, Critics' Choice 2020
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