Cesti: La Dori
Francesca Ascioti (Dori), Emoke Barath (Tolomeo), Francesca Lombardi Mazzuli (Arsinoe), Rupert Enticknap (Oronte), Federico Sacchi (Artaxerse), Bradley Smith (Arsete), Alberto Allegrezza (Dirce), Pietro Di Bianco (Erasto), Rocco Cavalluzzi (Golo), Konstantin Derri (Bagoa), Accademia Bizantina (early...
Awards:
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Gramophone Magazine, Critics' Choice 2020
It contains some of the finest operatic music to have been composed in the course of the entire 17th century, and Dantone and the Accademia Bizantina do it proud. Capitalising on the work’s...
Cesti: La Dori
Francesca Ascioti (Dori), Emoke Barath (Tolomeo), Francesca Lombardi Mazzuli (Arsinoe), Rupert Enticknap (Oronte), Federico Sacchi (Artaxerse), Bradley Smith (Arsete), Alberto Allegrezza (Dirce), Pietro Di Bianco (Erasto), Rocco Cavalluzzi (Golo), Konstantin Derri (Bagoa), Accademia Bizantina (early...
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Awards:
-
Gramophone Magazine, Critics' Choice 2020
It contains some of the finest operatic music to have been composed in the course of the entire 17th century, and Dantone and the Accademia Bizantina do it proud. Capitalising on the work’s...
About
In 2019 the music world commemorated the 350th anniversary of the death of MarcAntonio Cesti, the greatest composer of opera comedies and the most gifted melodist of the seventeenth century. Since Cesti lived and worked in Innsbruck for many years, La Dori, his brilliant comedy of disguises and hidden identities, was the perfect choice for posthumous honors »on location.« Ottavio Dantone, who is active from the Milan Scala to the Salzburg Festival with his specialists support in the field of Baroque and Classical opera, conducted his exquisite original sound ensemble, the Accademia Bizantina on the Innsbruck opera stage and set in motion the Dori renaissance. This comedy of loves errors set by the banks of the Euphrates and at the court of Babylon is now available for audio enjoyment on cpo.
Artists
Francesca Ascioti (Dori), Emoke Barath (Tolomeo), Francesca Lombardi Mazzuli (Arsinoe), Rupert Enticknap (Oronte), Federico Sacchi (Artaxerse), Bradley Smith (Arsete), Alberto Allegrezza (Dirce), Pietro Di Bianco (Erasto), Rocco Cavalluzzi (Golo), Konstantin Derri (Bagoa), Accademia Bizantina (early music ensemble), Ottavio Dantone (early keyboard instruments)
Contents and tracklist
- Francesca Ascioti (alto), Bradley Smith (tenor), Rocco Cavalluzzi (bass), Alberto Allegrezza (tenor), Rupert Enticknap (countertenor), Federico Sacchi (bass), Emőke Baráth (soprano), Francesca Lombardi Mazzulli (soprano), Konstantin Derri (countertenor), Pietro Di Bianco (bass-baritone)
- Accademia Bizantina
- Ottavio Dantone
Awards and reviews
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Gramophone MagazineCritics' Choice 2020
November 2020
It contains some of the finest operatic music to have been composed in the course of the entire 17th century, and Dantone and the Accademia Bizantina do it proud. Capitalising on the work’s origins in a princely setting, they opt for a more expansive approach to instrumentation...In all, a fine achievement.
December 2020
Emőke Baráth (Tolomeo) and Rupert Enticknap (Oronte) both encompass convincingly the wide range demanded of their roles, while the mezzo Francesca Ascioti brings richly burnished tone and emotional depth to the much put-upon slave Ali, who is revealed only at the climax as Dori...Above all, however, this is an ensemble triumph, pointed with razor-sharp diction and vividly projected under Ottavio Dantone’s ideally-paced reading.