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Martha Argerich and Friends Live from Lugano
13th May 2013by Chris O'Reilly
Highlights from the pianist’s month-long annual festival in southern Switzerland include Mozart with Maria João Pires, Schumann with Gautier Capuçon, Brahms with Nicholas Angelich, and piano quartets by Mahler and Dvořák.
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Martha Argerich & Friends: Live from Lugano 2012
Maria João Pires (piano), Martha Argerich (piano), Gautier Capuçon (cello), Lily Maisky (piano), Sascha Maisky (violin), Lyda Chen (viola), Mischa Maisky (cello), Nicholas Angelich (piano), Polina Leschenko (piano), Ilya Gringolts (violin), Nathan Braude (viola), Torleif Thedéen (cello), Nelson Goerner (piano), Rusudan Alavidze (piano), Lilya Zilberstein (piano), Anton Gerzenberg (piano), Daniel Gerzenberg (piano), Renaud Capuçon (violin), Giorgia Tomassi (piano), Carlo Maria Griguoli (piano), Alessandro Stella (piano), Ale Petrasso (piano), Dora Schwarzberg (violin), Lucia Hall (violin), Nora Romanoff-Schwarzberg (viola), Jing Zhao (cello) Orchestra della Svizzera Italiana, Jacek Kaspszyk
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Weber's Der Freischütz from Sir Colin Davis and the LSO
6th May 2013by James Longstaffe
Fresh, full-bodied and raucous when required, the conductor’s final opera recording is a fitting valedictory tribute to a great man, with Christine Brewer on sublime form as Agathe and Simon O’Neill a steely and secure Max.
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Weber: Der Freischütz
Christine Brewer (Agathe), Sally Matthews (Ännchen), Lars Woldt (Kaspar), Simon O’Neill (Max), Stephan Loges (Ottokar/Zamiel), Martin Snell (Kuno), Gidon Saks (A Hermit), Marcus Farnsworth (Kilian), Lucy Hall (Bridesmaids) London Symphony Orchestra & Chorus, Sir Colin Davis
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Ian Bostridge sings Britten songs
29th Apr 2013by Katherine Cooper
The tenor brings formidable musical intelligence to the Michelangelo Sonnets, Who are these children?, Winter Words and the Hölderlin Fragments (with Antonio Pappano), and is joined by guitarist Xuefei Yang for Songs from the Chinese.
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Pappano conducts Rossini’s Petite messe solennelle
22nd Apr 2013by Katherine Cooper
So theatrical that you can practically smell the greasepaint, Rossini’s ‘old man’s folly’ receives luxury treatment from the conductor and his Roman orchestra, with Marina Rebeka, Sara Mingardo, Francesco Meli and Alex Esposito making up a full-blooded operatic solo quartet.
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Bach Cantatas from Sir John Eliot Gardiner
8th Apr 2013by David Smith
As a coda to his mighty Bach Pilgrimage, Gardiner and his Monteverdi Choir present the Ascension Cantatas, which were originally scheduled to be recorded as part of the project but had to be abandoned due to noise issues.
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Julia Lezhneva: Alleluia
1st Apr 2013by Katherine Cooper
The young Russian soprano makes her solo debut on Decca with cantatas by Handel, Mozart, Porpora and Vivaldi which showcase her scintillating coloratura, tonal clarity and warmth, and radiant middle register; Il Giardino Armonico and Giovanni Antonini accompany with panache.
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Moeran Cello Concerto from Guy Johnston
25th Mar 2013by Katherine Cooper
Eloquent yet never saccharine, the British cellist is a wonderful ambassador for Moeran’s 1945 concerto, written for his wife-to-be Peers Coetmore and shot through with glimpses of Britten, Vaughan Williams and Walton.
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Salonen conducts Lutosławski Symphonies
18th Mar 2013by James Longstaffe
The Finnish conductor and his Los Angeles orchestra mark the centenary of Lutosławski’s birth with a recording of his complete symphonies in performances which tap into the full range of exciting colours which the composer employs.
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Mahler and Berg from Boulez
11th Mar 2013by James Longstaffe
Anna Prohaska is on mesmerising form in Berg’s Lulu-Suite, whilst the veteran conductor’s trademark attention to detail and balance pays huge dividends in Mahler’s early cantata Das klagende Lied, featuring outstanding contributions from Johan Botha, Anna Larsson and Dorothea Röschmann.
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Gesualdo - Sacred and Secular
4th Mar 2013by David Smith
James Wood directs Vocalconsort berlin in the second book of Sacrae Cantiones, whilst La Compagnia del Madrigale are on flamboyant form in the Sixth Book of Madrigals – dark, disorientating works which could scarcely be more different from their English counterparts.
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Vaughan Williams from the Hallé and Mark Elder
25th Feb 2013by James Longstaffe
Following a splendid London Symphony last year, Elder and his Manchester orchestra continue a cycle which is shaping up to be one of the finest modern sets on disc with magnificent accounts of the Fifth and Eighth symphonies, with the Hallé’s horns emerging as first among equals.
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JS Bach: St John Passion from Polyphony and Layton
18th Feb 2013by Katherine Cooper
The crowd-scenes crackle with terrifying energy and Ian Bostridge’s volatile Evangelist brings great narrative momentum, whilst Iestyn Davies and Richard Tunnicliffe’s eloquence in ‘Es ist vollbracht’ is worth the price of the set alone.
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Wagner from Jonas Kaufmann and others
11th Feb 2013by Katherine Cooper
Gergiev conducts an electrifying Walküre starring René Pape as Wotan, Nina Stemme as his rebel daughter, and Jonas Kaufmann and Anja Kampe as the Walsung Twins; Kaufmann’s solo album of opera scenes and the Wesendock-Lieder, meanwhile, is the best thing he’s ever done.
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Elgar & Carter from Alisa Weilerstein
4th Feb 2013by James Longstaffe
The American cellist worked closely with Carter (who died last year) whilst preparing his 2001 Cello Concerto, and brings a touching elegiac lyricism to the Japanese-influenced slow movement; her introverted and tender account of the Elgar is no less engaging.
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James Gilchrist on Britten
1st Feb 2013by Katherine Cooper
The English tenor discusses his new recording of the Serenade for tenor, horn and strings with the Amsterdam Sinfonietta, out now on Channel Classics.
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I was glad: Sacred Music by Stanford & Parry
28th Jan 2013by Katherine Cooper
Robert King and his Consort present lavish orchestrations (on period instruments) of Parry’s Te Deum, I was glad, Blest Pair of Sirens and Jerusalem, and four of Stanford’s canticle settings, with Carolyn Sampson and David Wilson-Johnson as soloists.
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Steven Osborne plays Mussorgsky's Pictures at an Exhibition
21st Jan 2013by James Longstaffe
Osborne’s journey through Mussorgsky’s gallery proves a highly intelligent, thoughtful interpretation that aims to be more than just a showy series of programmatic events.
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Little Britten
14th Jan 2013by Katherine Cooper
Cellist Matthew Barley marks the centenary of the composer’s birth with a recital centring on the Third Cello Suite, whilst Edward Higginbottom and The Choir of New College Oxford bring a vital, pleasingly rough-round-the-edges approach that recalls Britten’s own children’s choirs to the scared choral music.
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Mendelssohn from the Quatuor Ebène
7th Jan 2013by Chris O'Reilly
The award-winning young French quartet bring their trademark commitment and passion to chamber-music by the Mendelssohn siblings, including Felix’s ‘quartet-Requiem’ for his beloved sister.