Special offer. Vaughan Williams: Symphonies Nos. 5 & 8
Hallé, Sir Mark Elder
Awards:
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Presto Recording of the Week, 25th February 2013
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Gramophone Magazine, May 2013, Editor's Choice
Elder's way with Vaughan Williams' Fifth Symphony is one of those interpretations that grows with repeated hearings. As expected from the current Halle vintage, it's finely played in every department,...
Special offer. Vaughan Williams: Symphonies Nos. 5 & 8
Hallé, Sir Mark Elder
Purchase product
Awards:
-
Presto Recording of the Week, 25th February 2013
-
Gramophone Magazine, May 2013, Editor's Choice
Elder's way with Vaughan Williams' Fifth Symphony is one of those interpretations that grows with repeated hearings. As expected from the current Halle vintage, it's finely played in every department,...
About
Hallé returns with its second volume of works by Vaughan Williams, continuing its award winning survey of British music under its Musical Director, Sir Mark Elder.
Latest release for award winning label in the English repertoire at which it excels
The release combines two highly contrasting works to provide a disc which is both moving and uplifting.
Symphony No.5 is a generally tranquil work with music influenced by Ravel, with whom Vaughan Williams had studied, and is scored for very traditional forces
Symphony No.8 is dedicated to Sir John Barbirolli and was premièred by the Hallé in 1956. It is the shortest and least serious of the symphonies and whilst not being without moments of somber mood, is generally light hearted in tone. It is has a more exotic instrumental colour, with an enhanced percussion section.
These works have long been part of Hallé’s concert repertoire under Sir Mark Elder in performances which have drawn great critical praise:
'I cannot think of another conductor around today better equipped to conduct this score than Sir Mark and he didn’t disappoint.' Michael Cookson, 'Seen and Heard International', Review of performance of Symphony No.5, Nov 2011
Contents and tracklist
Spotlight on this release
Awards and reviews
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Presto Recording of the Week25th February 2013
-
Gramophone MagazineMay 2013Editor's Choice
May 2013
Elder's way with Vaughan Williams' Fifth Symphony is one of those interpretations that grows with repeated hearings. As expected from the current Halle vintage, it's finely played in every department, with true live-recording atmosphere.
13th April 2013
An unexpectedly rewarding disc
May 2013
Elder's sense of atmosphere and specific locality win out...The Scherzo shows the Hallé winds and brass to excellent effect and I was warmed by Elder's well-aimed use of string portamentos in the 'Cavatina'...I would recommend it unreservedly.
April 2013
Elder’s is the most satisfying performance of RVW’s Symphony 5 that I’ve heard. Why? For me it’s because he gets the tempi just right. He isn’t afraid to be unhurried and yet at the same time a flowing, forward pulse is always apparent...The glory of this CD from Elder is that it offers a consistent and sustained appreciation of the reflective aspects of these RVW symphonies.
25th February 2013
The playing on this live recording is superb throughout...For me, though, the stars of this recording are definitely the horns: their sound is consistently glorious...All in all this is a splendid recording from Elder and the Hallé.
17th March 2013
It is the performance of the Fifth...that sounds special here...Elder and the Hallé claim this music as much their own as they do their Eighth.
28th February 2013
Elder's account of the Fifth has a wonderful easy breadth, a sense of inevitable unfolding that pays most dividends in the third-movement Romanza...it's the shimmering tuned percussion in the outer movements [of the Eighth] that defines the work, and Elder makes the integration of those textures seem the most natural thing in the world.
30th March 2013
These wonderfully affectionate recordings of the Fifth and Eighth Symphonies ...are essential listening for devotees of English music...Both are gloriously played.
16th March 2013
Vaughan Williams’s outwardly serene Symphony No. 5 is a difficult work to get right...Which is why Sir Mark Elder’s recording does succeed; he manages to inject a hint of drama into the static opening movement and brings the Scherzo to life...Elder plays up the [Eighth] symphony’s offbeat battiness...It’s wonderful – trust me.