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Special offer. Britten: Works for voice & string orchestra

Barbara Hannigan (soprano), James Gilchrist (tenor) & Jasper de Waal (horn)

Amsterdam Sinfonietta, Candida Thompson (artistic director)

Britten: Works for voice & string orchestra
Hannigan brings a fined-down intensity to the more hushed Rimbaud settings such as 'Being Beauteous', but elsewhere her tone tends to flutter under pressure...Gilchrist, by contrast, sounds...

Special offer. Britten: Works for voice & string orchestra

Barbara Hannigan (soprano), James Gilchrist (tenor) & Jasper de Waal (horn)

Amsterdam Sinfonietta, Candida Thompson (artistic director)

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This release includes a digital booklet

Stream now Hi-RES 192 kHz, 24 bit
Hannigan brings a fined-down intensity to the more hushed Rimbaud settings such as 'Being Beauteous', but elsewhere her tone tends to flutter under pressure...Gilchrist, by contrast, sounds...

About

In 2013 it is exactly one hundred years ago that the English genius Benjamin Britten was born. Britten’s brilliant manner of writing for string orchestra, his unique treatment of text, and his rich repertory of musical colours are all abundantly clear from the masterpieces featured on this recording. Besides the excellent soprano Barbara Hannigan, who sparkles in ‘Les Illuminations’, tenor James Gilchrist and hornist Jasper de Waal deliver an impressive contribution to this production with Amsterdam Sinfonietta.

The orchestra herself indulges in all imaginable techniques, colours and dynamic extremes that Britten releases from his box of tricks for string orchestra. Amsterdam Sinfonietta is an ensemble of 22 gifted musicians from around the world. The group performs without conductor, under the direction of Candida Thompson, artistic director since 2003. The ensemble’s defining feature is the strong involvement and artistic drive of each individual member. The group has gained a reputation for its distinguished performances and innovative programming.

Amsterdam Sinfonietta collaborates with renowned artists and performs in major venues around throughout the world. In the last seasons the group toured Europe, China, the US and Australia.

Contents and tracklist

I. Fanfare, J'ai seul la clef
Track length2:08
II. Villes, Ce sont des villes! C'est un peuple
Track length2:28
IIIa. Phrase, J'ai tendu des cordes
Track length1:25
IIIb. Antique, Gracieux fils de Pan!
Track length2:15
IV. Royauté, Un beau matin, chez un peuple fort doux
Track length1:42
V. Marine, Les chars d'argent et de cuivre
Track length1:02
VI. Interlude, J'ai seul la clef de cette parade sauvage
Track length2:36
VII. Being Beauteous, Devant une neige un être de beauté
Track length4:18
VIII. Parade, Des drôles très solides
Track length2:43
IX. Départ, Assez vu, la vision s'est rencontrée
Track length2:21
I. Introduction and Theme
Track length1:46
II. Adagio
Track length2:33
III. March
Track length1:04
IV. Romance
Track length1:28
V. Aria italiana
Track length1:18
VI. Bourrée classique
Track length1:20
VII. Wiener Walzer
Track length2:56
VIII. Moto perpetuo
Track length1:04
IX. Funeral March
Track length3:47
X. Chant
Track length1:37
XI. Fugue and Finale
Track length7:27
I. Prologue
Track length1:19
II. Pastoral, The day’s grown old
Track length3:47
III. Nocturne, The splendour falls on castle walls
Track length3:51
IV. Elegy, O Rose, thou art sick!
Track length4:36
V. Dirge, This ae nighte
Track length3:44
VI. Hymn, Queen and huntress
Track length2:10
VII. Sonnet, O soft embalmer
Track length4:28
VIII. Epilogue
Track length1:21

Spotlight on this release

Awards and reviews

April 2013

Hannigan brings a fined-down intensity to the more hushed Rimbaud settings such as 'Being Beauteous', but elsewhere her tone tends to flutter under pressure...Gilchrist, by contrast, sounds at home in the Serenade for Tenor, Horn and Strings...and while his slightly reedy timbre sounds very different to Peter Pears, he brings equally valid insights into this iconic cycle.

23rd February 2013

wonderfully alert readings by the Amsterdam Sinfonietta

March 2013

Hannigan brings to the text the dramatic energy she has to burn in her championship of Ligeti and Boulez, while the conductorless orchestra and soloist (herself sometimes a conductor) sound a natural fit...[in the Serenade] both soloists play their parts quite straight...An enjoyable and carefully balanced CD

3rd March 2013

Gilchrist’s Serenade, with Jasper de Waal the stupendous horn soloist, is one of the best things the English tenor has done on disc — Pears-like in its intensity and crystalline diction. The Sinfonietta’s strings have a whale of a time as a band of wannabe Paganinis in the Aria Italiana of the Bridge Variations.

Audiophile Audition April 2013

The strings were absolutely beautiful, transients and attacks were sharp, voices were natural, and the totality of the experience was musical and satisfying in every way...Frankly, I can’t imagine recorded music sounding much bette

27th April 2013

Candida Thompson’s Amsterdam Sinfonietta disc is pretty special – vibrant, incisive and colourful...Hannigan’s account of Les Illuminations is strong, her quickfire delivery in Parade a highlight...Gilchrist’s vibrato is strong but totally idiomatic, matched by Jasper der Waal’s bright-toned, very European horn sound.
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