CPO
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Wetz: Ein Weihnachtsoratorium auf alt-deutsche Gedichte, Op. 53
Marietta Zumbuelt & Máté Sólyom-Nagy
Dombergchor Erfurt, Philharmonischer Chor Erfurt & Thueringisches Kammerorchester Weimar, George Alexander Albrecht
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Korngold: Die Stumme Serenade
Dialogus: Hendrik Müller, Sarah Wegener, Birger Radde, Frank Buchwald, Werner Klockow, Anna-Lucia Leone & Sebastian Reich
Young Opera Company & Holst-Sinfonietta, Klaus Simon
This is a wonderfully silly operetta: cross Lehar with Gilbert and Sullivan and the Marx Brothers...but it remains heartwarming and inspired nonetheless...Sarah Wegener is a pert, soulful Silvia,... —
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North German Organ Baroque Volume 8
Georg Böhm: Complete Organ Works
Friedhelm Flamme (Creutzburg-Orgel der Propsteikirche St. Cyriakus zu Duderstadt)
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Krenek: Symphony No. 4
Volker Worlitzsch (violin), Dimitar Penkov (viola) & Nikolai Schneider (violoncello)
NDR RADIOPHILHARMONIE, Alun Francis
The Concerto Grosso No.2 (1924), nicely done by Alun Francis and his Hanover-based orchestra, is a mock-Baroque piece that glances at both Pulcinella and Bach's First Brandenburg Concerto, though... —
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Nedbal: Die Winzerbraut (The Vineyard Bride)
Wolfgang Mueller-Lorenz, Martin C. Turba, Marcus Niedermeyr, Andreas Rainer, Bibiana Nwobilo, Mirjam Neururer, Susanne Kirnbauer & Alfred Berger
Chor und Orchester des Musik Theater Schoenbrunn, Herbert Mogg
Nedbal's idiom is fairly close to that of Lehar, whose tunefulness he can at times approach if perhaps not equal; but his music has verve and colour, and he has a good dramatic instinct for... —
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I had expected crashing and rushing music from the Comedietta but instead we get a smiling and musing light-spirited fantasy with Fauré-like overtones...these are well worth hearing again and... —
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Special offer. Fall, L: Die Kaiserin
Miriam Portmann (soprano), Jevgenij Taruntsov (tenor), Gerhard Balluch (tenor), Clemens Kerschbaumer (tenor), Alexandra Zimmermann (vocals), Sinja Maschke (vocals), Merle Krammer (vocals), Dorli Buchinger (vocals), Gabriele Kridl (soprano), Claudiu Sola (vocals), Severin Prassl (vocals), Christoph...
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[Weser-Renaissance Bremen] are among the finest and most prolific exponents of Schütz on CD…[Cordes] has assembled a very fine cast of soloists who functions equally well as an ensemble [sic] —
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Der Herr ist König: Baroque Bass Cantatas
Klaus Mertens (bass-baritone)
Accademia Daniel, Shalev Ad-El
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Magnard: Piano Trio in F Minor & Violin Sonata in G Major
Geneviève Laurenceau (violin), Maximilian Hornung (cello), Oliver Triendl (piano)
The Trio, in fact, is the real revelation. It's superbly done, with an almost instinctive sense of interplay between the players, and a fine understanding of Magnard's emotional ambiguities... —
