Opera, Cavalli (composer)

We very quickly learn just how characterful Desandre can be with her amused, laughing reactions to women in battle in ‘Non posso far’, and the dark glitter of her voice in the melancholic ‘Lasciatemi... — BBC Music Magazine, November 2021, 5 out of 5 stars (Performance) / 4 out of 5 stars (Recording)More…

It is perhaps no surprise that the various 18th-century works included find DiDonato on especially thrilling form...Yet DiDonato shines, too, in the more contemporary works…This is a highly... — BBC Music Magazine, April 2022, 4 out of 5 starsMore…

It is perhaps no surprise that the various 18th-century works included find DiDonato on especially thrilling form...Yet DiDonato shines, too, in the more contemporary works…This is a highly... — BBC Music Magazine, April 2022, 4 out of 5 starsMore…

It's music by Luca Antonio Predieri (a nearcontemporary of Handel’s) that really hits the mark. Predieri’s gentle lyricism and clean lines suit Orliński’s soft-grained voice well. He’s no convincing... — Gramophone Magazine, December 2019More…

a maddening, fascinating and often bewitching disc — BBC Music Magazine, November 2016, 4 out of 5 starsMore…

If Handel’s Xerxes has a showmanship, an aesthetic swagger that Cavalli’s lacks in the lilting prettiness of his own ode to a plane tree, we see the Italian’s skill emerge elsewhere – in the... — Gramophone Magazine, April 2019More…