EDEN
Joyce Didonato (mezzo-soprano), Il Pomo d'Oro, Maxim Emelyanychev
Awards:
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Gramophone Magazine, March 2022, Editor's Choice
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Presto Recording of the Week, 25th February 2022
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Opus Klassik, 2022, Winner - Solo Vocal Recording
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Gramophone Awards, 2022, Shortlisted - Voice & Ensemble
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Grammy Awards, 65th Awards (2023), Nominee - Best Classical Solo Vocal Album
It is perhaps no surprise that the various 18th-century works included find DiDonato on especially thrilling form...Yet DiDonato shines, too, in the more contemporary works…This is a highly...
EDEN
Joyce Didonato (mezzo-soprano), Il Pomo d'Oro, Maxim Emelyanychev
Purchase product
Awards:
-
Gramophone Magazine, March 2022, Editor's Choice
-
Presto Recording of the Week, 25th February 2022
-
Opus Klassik, 2022, Winner - Solo Vocal Recording
-
Gramophone Awards, 2022, Shortlisted - Voice & Ensemble
-
Grammy Awards, 65th Awards (2023), Nominee - Best Classical Solo Vocal Album
It is perhaps no surprise that the various 18th-century works included find DiDonato on especially thrilling form...Yet DiDonato shines, too, in the more contemporary works…This is a highly...
About
Contents and tracklist
Spotlight on this release
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Joyce DiDonato on EDEN
7th Mar 2022
The American mezzo talks to Katherine about her new album on Erato, and answers some questions submitted by Presto readers along the way...
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Joyce DiDonato's EDEN
25th Feb 2022
Featuring music by composers including Ives, Cavalli, Handel, Gluck and Wagner (plus a ravishing new commission by Rachel Portman), the American mezzo's eclectic new concept-album with Il Pomo d'Oro explores our relationship with 'the grammar of the earth'.
Awards and reviews
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Gramophone MagazineMarch 2022Editor's Choice
-
Presto Recording of the Week25th February 2022
-
Opus Klassik2022Winner - Solo Vocal Recording
April 2022
It is perhaps no surprise that the various 18th-century works included find DiDonato on especially thrilling form...Yet DiDonato shines, too, in the more contemporary works…This is a highly commendable recording that commands serious attention for both its music and its message.
July/August 2022
In the Wagner and elsewhere some thrilling vocalism is on display. For beauty of tone, sensitive phrasing, and perfect technical control, one could hardly surpass her reading of “Ombra mai fu.” All the selections by Cavalli, Handel, and Gluck rise to the same high standard.
March 2022
I’m brought to tearful wonder by the album’s close. DiDonato’s farewell, ‘Ombra mai fù’ from Handel’s Serse, is a performance so beautiful that it makes your insides ache
26th February 2022
Concept albums such as this tend to attract cynicism. Made with such dedication, Eden provokes thought and, through the persuasions of music, asks us to engage. There’s no reason to resist.
