Special offer. Amazone
Lea Desandre (mezzo), Jupiter, Thomas Dunford
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Gramophone Magazine, Awards Issue 2021, Editor's Choice
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Presto Editor's Choice, October 2021
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Presto Recordings of the Year, Finalist 2021
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Record Review, Records of the Year 2021
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Opus Klassik, 2022, Female Singer of the Year
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Gramophone Awards, 2022, Finalist - Voice & Ensemble
We very quickly learn just how characterful Desandre can be with her amused, laughing reactions to women in battle in ‘Non posso far’, and the dark glitter of her voice in the melancholic ‘Lasciatemi...
Special offer. Amazone
Lea Desandre (mezzo), Jupiter, Thomas Dunford
Purchase product
Awards:
-
Gramophone Magazine, July 2026, Critics' Choice 2021
-
Gramophone Magazine, Awards Issue 2021, Editor's Choice
-
Presto Editor's Choice, October 2021
-
Presto Recordings of the Year, Finalist 2021
-
Record Review, Records of the Year 2021
-
Opus Klassik, 2022, Female Singer of the Year
-
Gramophone Awards, 2022, Finalist - Voice & Ensemble
We very quickly learn just how characterful Desandre can be with her amused, laughing reactions to women in battle in ‘Non posso far’, and the dark glitter of her voice in the melancholic ‘Lasciatemi...
About
• The original concept of Lea Desandre’s Amazone is based on music of the Baroque period written specifically on the subject of the Amazons, the mythical race of female warriors
• Amazone has been recorded with the magnificent ensemble Jupiter and conductor Thomas Dunford
• Lea Desandre explores the fascinating ways that composers treat their Amazonian characters, particularly interesting figures in that they embody a “male/female” duality
• Gender ambiguity, which plays a role in so many operatic plots, provides an infinite source of dramatic and musical inspiration
• Amazone has three special guests, true stars in the world of Baroque music: Cecilia Bartoli and Véronique Gens appear in separate duets with Lea, and William Christie features on harpsichord in a piece by Couperin
• Amazone features compositions of Vivaldi, Cavali, Provenzale, Couperin, Rameau, and more
• Concerts: 9 March Chaux-de-Fonds (Swiss), 11 March Arts Renaissants, Toulouse (France), 13 March Paris Philharmonie, 20 March Ajaccio, Corsica (France), 7 April Rouen Opéra, Chapelle Corneille (France), 11 April Festival de Pâques d'Aix-en-Provence (France), 18 Oct ElbPhilharmonie Hambourg
Contents and tracklist
Spotlight on this release
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Awards and reviews
-
Gramophone MagazineJuly 2026Critics' Choice 2021
-
Gramophone MagazineAwards Issue 2021Editor's Choice
-
Presto Editor's ChoiceOctober 2021
-
Presto Recordings of the YearFinalist 2021
-
Record ReviewRecords of the Year 2021
-
Opus Klassik2022Female Singer of the Year
November 2021
We very quickly learn just how characterful Desandre can be with her amused, laughing reactions to women in battle in ‘Non posso far’, and the dark glitter of her voice in the melancholic ‘Lasciatemi morire’, both from Provenzale’s Lo schiavo di sua moglie. Technically and stylistically, too, she is very accomplished.
Awards Issue 2021
This is a stonkingly good album. It makes me wonder: what exactly are these enviously intelligent, inventive and generous musicians drinking?
November 2022
Desandre owns to a vital, versatile musical personality that enables her to engage with her texts to a rare degree, frequently colouring her voice to exquisite effect.
October 2021
Her pin-sharp coloratura in showpieces from Vivaldi's Ercole sul Termodonte and Giuseppe de Bottis's Mitilene, regina delle amazzoni rivals that of her mentor Cecilia Bartoli (who joins her in a duet from the latter work), whilst the dignified pathos which she brings to the numerous long-breathed laments put me in mind of Véronique Gens (who also makes a cameo appearance).
6th November 2021
The music is beautifully performed, vivacious, and intelligently programmed. Desandre flies weightlessly around elaborate ornamentation, expressive and precise. The Jupiter players and Dunford excel.