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EDEN

Joyce DiDonato (mezzo), Il Pomo d'Oro, Maxim Emelyanychev

EDEN

Awards:

It is perhaps no surprise that the various 18th-century works included find DiDonato on especially thrilling form...Yet DiDonato shines, too, in the more contemporary works…This is a highly...

EDEN

Joyce DiDonato (mezzo), Il Pomo d'Oro, Maxim Emelyanychev

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CD

$17.50

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Awards:

It is perhaps no surprise that the various 18th-century works included find DiDonato on especially thrilling form...Yet DiDonato shines, too, in the more contemporary works…This is a highly...

About

EDEN is an invitation to return to our roots.It is an overture to engage with the sheer perfection of the world around us,to consider if we are connecting as profoundly as we can to the pure essence of our being.It is a clarion call to contemplate if our collective suffering isn’t perhaps linked to the aching separation from something primal within and around us. This is a vivid musical exploration through the centuries to remember and to create a new EDEN from within. ~ Joyce DiDonato

Repertoire: from Handel to Ives, from Gluck to Mahler, exploring the majesty, might, and mystery of Nature through both arresting and evocative music, Joyce takes us on an emotional journey to reconnect to the power and fragility of Nature, exploring our place within the wondrous world around us

On EDEN Joyce is joined by the original instrument ensemble Il Pomo d’Oro and Maxim Emelyanychev

Rachel Portman’s piece is specially composed for Joyce DiDonato, a world premiere recording

Contents and tracklist

Spotlight on this release

Awards and reviews

  • Gramophone Magazine
    March 2022
    Editor's Choice
  • Presto Recording of the Week
    25th February 2022
  • Opus Klassik
    2022
    Winner - Solo Vocal Recording
  • Gramophone Awards
    2022
    Shortlisted - Voice & Ensemble
  • Grammy Awards
    65th Awards (2023)
    Nominee - Best Classical Solo Vocal Album
  • International Classical Music Awards
    2023
    Nominated - Vocal Music

April 2022

It is perhaps no surprise that the various 18th-century works included find DiDonato on especially thrilling form...Yet DiDonato shines, too, in the more contemporary works…This is a highly commendable recording that commands serious attention for both its music and its message.

July/August 2022

In the Wagner and elsewhere some thrilling vocalism is on display. For beauty of tone, sensitive phrasing, and perfect technical control, one could hardly surpass her reading of “Ombra mai fu.” All the selections by Cavalli, Handel, and Gluck rise to the same high standard.

March 2022

I’m brought to tearful wonder by the album’s close. DiDonato’s farewell, ‘Ombra mai fù’ from Handel’s Serse, is a performance so beautiful that it makes your insides ache.

26th February 2022

Concept albums such as this tend to attract cynicism. Made with such dedication, Eden provokes thought and, through the persuasions of music, asks us to engage. There’s no reason to resist.
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