Classical Interviews
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Aryeh Nussbaum Cohen on Uncharted
10th Feb 2025by Katherine Cooper
In the wake of his debut solo album on Avie Records (featuring songs by Brahms, Robert & Clara Schumann and Korngold), the American countertenor recounts how cantoring at a local synagogue in his early teens and supporting Elton John at Madison Square Gardens both helped to shape his artistry...
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Sonya Yoncheva on George
6th Feb 2025by Katherine Cooper
The Bulgarian soprano discusses her musical tribute to George Sand (out tomorrow on Naïve), featuring extracts from the French novelist's correspondence interwoven with music by Chopin, Viardot, Liszt, Leoncavallo and Tosti.
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Graham Ross on Palestrina premieres and more...
27th Jan 2025by David Smith
The director of the Choir of Clare College, Cambridge talks about his new album featuring five world-premiere recordings of sacred works by Palestrina.
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Christina Pluhar on Terra Mater
23rd Jan 2025by Katherine Cooper
The director of L'Arpeggiata discusses the early music ensemble's 25th-birthday plans and their new album with Swedish mezzo Malena Ernman (released on Erato next Friday) which celebrates the natural world.
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Jean-Christophe Groffe on Ensemble Thélème's 'All we get is Life'
21st Jan 2025by David Smith
The director of the bold, adventurous early (???) music ensemble talks about his new album combining two Johns from centuries apart - Dowland and Cage.
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Alessandro Marangoni on Vittorio Rieti's piano concertos
20th Jan 2025by David Smith
The pianist talks about his new album of world premiere recordings by the Italian-American composer Vittorio Rieti.
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Sergei Babayan on Rachmaninoff for Two
16th Jan 2025by Katherine Cooper
The Armenian-American pianist talks about the art of transcription, late nights with Martha Argerich, recording with his former pupil Daniil Trifonov - and why he believes that teachers can learn as much from their students as vice versa...
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Alessio Bax on Forgotten Dances
15th Jan 2025by Matthew Ash
The Italian pianist discusses his latest album of dance-inspired music from Bach to Bartók on Signum Classics, splitting Bach fugues with his brother as a child, and his conviction that 'the magic is broken' if a performance simply recreates what happened in the practice-room...
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Pieter Wispelwey on his recording career for Channel Classics
7th Jan 2025by David Smith
The cellist looks back on a fruitful two-decade collaboration with Amsterdam-based label Channel Classics.
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Davina Clarke on The Art of Obligato
1st Jan 2025by David Smith
The violinist discusses her new album of works by Bach featuring the violin, either as a solo instrument or as an obligato weaving around a vocal line.
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Benjamin Appl on Christmas in Regensburg
24th Dec 2024by Katherine Cooper
The German baritone discusses returning to his old choir for his new Christmas album on Alpha Classics, and shares some of his childhood memories of the festive season.
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Gavin Bryars on the Ivors and Innovation
23rd Dec 2024by Ben Hogwood
In the wake of winning the Ivors Academy's Innovation Award last month, the Yorkshire-born composer and double bassist speaks to Ben Hogwood about writing for stage and screen, the inspiration which he draws from the visual arts and early music, and why (at the grand old age of 81) he has no plans to slow down any time soon...
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Gavin Bryars: The Sinking of the Titanic
Philip Jeck (improvising turntablist), Quartet I: Nick Barr, Morgan Goff (viola), Nick Cooper (cello), Gavin Bryars (double bass), Quartet II: Alexandra Maria Tchernakova (viola), Orlanda Bryars (cello), Ziella Bryars (cello), Yuri Bryars (double bass), Roger Heaton (bass clarinet), Dave Smith (tenor horn, keyboard, woodblocks), James Woodrow (electric guitar), Martin Allen (percussion)
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Robert Treviño on American Opus
19th Dec 2024by Katherine Cooper
The American conductor discusses his new album of works by George Walker, George Crumb and Silvestre Revueltas with the Basque National Orchestra, released on Ondine last month and described as 'thoroughly satisfying' by Limelight Magazine.
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Pene Pati on Rodolfo (and rugby!)
17th Dec 2024by Katherine Cooper
As he makes his Covent Garden debut in Puccini's La bohème, the ebullient Samoan tenor discusses why he finds Puccini's impoverished poet such a relatable character, playing for the Cardiff Saracens when he moved from New Zealand to study in Wales, and how Kiri Te Kanawa helped to kickstart his international career.
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Trio Bohémo on their debut recording of Smetana and Schubert
16th Dec 2024by David Smith
The trio's members discuss the two composers featured on their critically acclaimed debut recording.
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Debbie Wiseman on The Mirror and the Light
11th Dec 2024by Katherine Cooper
With Peter Kosminsky's dramatisation of Hilary Mantel's towering Tudor trilogy set to draw to a harrowing close on Sunday evening, the composer of the soundtrack discusses finding the delicate balance between past and present - and bringing the inner workings of the inscrutable Thomas Cromwell's mind to life in music...
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The Piatti Quartet on the string quartets of Joseph Phibbs
10th Dec 2024by David Smith
The acclaimed quartet consider the works of contemporary composer Joseph Phibbs, with whom they share a close connection - having commissioned two of his four quartets and now recorded them all.
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François-Xavier Poizat on Ravel
9th Dec 2024by Matthew Ash
François-Xavier Poizat offers an insight into his love for Ravel, and his recordings of the composer's Complete Works with Piano (released earlier in November on Aparté). He also shares his admiration for Henle's painstaking work on their edition of Ravel's music.
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Jeremy Huw Williams and Wendy Hiscocks on the songs of Grace Williams
3rd Dec 2024by David Smith
The baritone and pianist talk about their new album showcasing the solo songs of Grace Williams, released recently on Naxos.
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Claire Booth on Pierrot Portraits
26th Nov 2024by Katherine Cooper
Ahead of her Wigmore Hall recital this Friday, the intrepid soprano discusses her second recording-contribution to Schoenberg's 150th anniversary year - an album which sets his Pierrot lunaire alongside other works inspired by the commedia dell'arte figure.