Special offer. Terra Mater
Malena Ernman (mezzo), L'Arpeggiata, Christina Pluhar
Awards:
-
Presto Recording of the Week, 31st January 2025
The range and power of Ernman’s voice is a delight. Her dark, rich colouring adds drama to Handel’s ‘Twas when the seas’ and the final item by Eden Ahbez brings out her bluesy soul. Fun and...
Special offer. Terra Mater
Malena Ernman (mezzo), L'Arpeggiata, Christina Pluhar
Purchase product
Awards:
-
Presto Recording of the Week, 31st January 2025
The range and power of Ernman’s voice is a delight. Her dark, rich colouring adds drama to Handel’s ‘Twas when the seas’ and the final item by Eden Ahbez brings out her bluesy soul. Fun and...
About
A hymn to nature envisioned by the unparalleled Christina Pluhar, featuring the extraordinary Swedish mezzo-soprano Malena Ernman, in a program that embraces the four winds! This is a unique blend that L'Arpeggiata, under Pluhar's direction, masterfully creates—drawing from the rumblings of the sea, sunny canarios, cuckoos and nightingales, whispers and tempests. With a fusion of baroque repertoire, traditional music, and improvisations, it promises a vibrant celebration of vocal and instrumental artistry, all under the banner of the nourishing earth.
Contents and tracklist
- Margherita Pupulin (violin)
- L'Arpeggiata
- Christina Pluhar
- Margherita Pupulin (violin)
- L'Arpeggiata
- Christina Pluhar
Spotlight on this release
Awards and reviews
-
Presto Recording of the Week31st January 2025
May 2025
The range and power of Ernman’s voice is a delight. Her dark, rich colouring adds drama to Handel’s ‘Twas when the seas’ and the final item by Eden Ahbez brings out her bluesy soul. Fun and finesse throughout.
April 2025
I love a good concept album and this one is simultaneously thoughtful, fun and prescient...Along the way there’s much upbeat musicmaking and extemporisation, a cornucopia of instrumental wonder with a serious message. It’s a delicate balance and they very nearly manage it.
31st January 2025
Ernman strikes sparks off her Arpeggiata colleagues, relishing the opportunity to throw away the classical rulebook in the folksy numbers and respond in kind to their pitch-bending, deliberately rough-round-the-edges approach. ...The purely instrumental works are every bit as quirky and compelling, the musicians supplementing their primary instruments with a whole panoply of bird-callers and güiros to conjure the atmosphere of the great outdoors in all its glory.