Hyperion
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Ruralia Hungarica draws the most compelling performance, Shaham negotiating the challenging violin pyrotechnics of the outer movements with powerhouse playing as well as delivering a wonderfully... —
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This offering places Banse and Johnson among the most thoughtful and convincing of Schumann interpreters in the history of recording the composer's Lieder. From start to finish, in well-loved... —
Awards:
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Building a Library, March 2016, Also Recommended
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Müller-Schott and Hewitt deliver strong and committed performances characterised by great attention to detail and wonderful musical interaction...both players maximising the degree of tonal... —
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One has a powerful sense of Cecile Licad and Alban Gerhardt's compelling grasp of architecture...[in the Andante of No. 1] Licad's melting lines are wonderfully voiced, and we have a choice... —
Awards:
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Gramophone Magazine, April 2012, Editor's Choice
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You can easily imagine the audience’s indulgent end-ofrecital smiles over Das Butterbrot (Litolff possibly, probably not Mozart). —
Awards:
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Gramophone Magazine, July 2023, Editor's Choice
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Handel: Alexander Balus
Lynne Dawson (soprano), Michael George (bass), Catherine Denley (contralto), Charles Daniels (tenor), Claron McFadden (soprano)
The King's Consort, Choir of The King's Consort, New College Choir, Oxford, Robert King
Alexander Balus has never been one of Handel's more popular oratorios. That's mainly because its plot is by modern standards lacking in drama and motivation, and accordingly doesn't call forth... —
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The organ of St Paul's Cathedral might not be the most idiomatic of instruments for this generous compilation, but John Scott produces entrancing colours to complement the authority of his awesomely... —
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Monteverdi - The Sacred Music 3
Carolyn Sampson, Rebecca Outram (sopranos), Daniel Auchincloss, Rogers Covey-Crump (high tenors), Charles Daniels, James Gilchrist (tenors), Peter Harvey, Robert Evans (basses)
The King’s Consort, Robert King
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Howard's performances are quite marvellous: scrupulously prepared and enlightened by this performer's high degree of spontaneity. Hyperion's recording captures every nuance —