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Beethoven - Cello Sonatas Volume 2

Daniel Müller-Schott (cello) & Angela Hewitt (piano)

Beethoven - Cello Sonatas Volume 2
Müller-Schott and Hewitt deliver strong and committed performances characterised by great attention to detail and wonderful musical interaction...both players maximising the degree of tonal...

Beethoven - Cello Sonatas Volume 2

Daniel Müller-Schott (cello) & Angela Hewitt (piano)

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This release includes a digital booklet

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Müller-Schott and Hewitt deliver strong and committed performances characterised by great attention to detail and wonderful musical interaction...both players maximising the degree of tonal...

About

The mercurial partnership of Angela Hewitt and Daniel Müller-Schott brought overwhelming intensity and emotional gravitas’ to a first disc of Beethoven’s cello sonatas. Here in a second volume they present two more of these groundbreaking masterpieces, together with the composer’s homages to Mozart and Handel—works which are equally important additions to the cello repertoire.

Hewitt’s characteristic digital dexterity and deep understanding of the classical style and Müller-Schott’s vibrant playing combine to create performances of great energy and sensitivity that will delight their many fans.

In a fascinating booklet note, Daniel Müller-Schott explores the evolution of Beethoven’s works for cello from a musician’s perspective, describing their revolutionary power and demonstrating the composer’s multifarious imagination [‘Mannigfachphantastische’].

Awards and reviews

April 2010

Müller-Schott and Hewitt deliver strong and committed performances characterised by great attention to detail and wonderful musical interaction...both players maximising the degree of tonal variety without any recourse to exaggerated mannerism.

May 2010

These performances are strongly characterised, clearly etched and full of life and drama...In short, these are striking, accomplished, highly individual performances.

14th March 2010

Müller-Schott is certainly one of the finest cellists before the public today, and this is his core native repertory. The performances have the winning freshness of rediscovery.

24th March 2010

the two players instinctively click and the music comes across with vibrancy, sensitivity and a galvanising unanimity of purpose.
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