Harmonia Mundi
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Gershwin By Grofé
Symphonic Jazz
Lincoln Mayorga (piano) & Al Gallodoro (alto saxophone, clarinet, bass clarinet)
Harmonie Ensemble/New York, Steven Richman
[Mayorga's] playing is assured, with an appealing flexibility. And the contribution of Steven Richman's Harmonie Ensemble New York is a delight: beautifully recorded (you can actually hear the... —
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Kevin Puts: Symphony No. 4
Baltimore Symphony Orchestra, Conspirare, Marin Alsop, Craig Hella Johnson
Alsop and the Baltimore Symphony Orchestra make persuasive champions for Puts's Symphony No. 4...The real delight of the disc, though, is the choral cycle To Touch the Sky...Conspirare's straight... —
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An exquisitely shaded performance of the Janacek Sonata sets up heady takes on Szymanowski's Mythes and the fizzing virtuosity of Lutoslawski's Partita. —
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Rameau: Castor et Pollux
Colin Ainsworth (Castor), Florian Sempey (Pollux), Emmanuelle de Negri (Télaire), Clémentine Margaine (Phoebe), Christian Immler (Jupiter), Sabine Devieilhe (Cléone), Philippe Talbot (Mercury), Virgile Ancely (High Priest)
Ensemble Pygmalion, Raphaël Pichon
Emmanuelle de Negri delivers a plangent account of Télaïre's Act II lament 'Tristes apprêts'...Clémentine Margaine is a characterful Phébé with a powerful, coppery chest voice...Though the Underworld... —
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Wolcum Yule
Celtic and British Songs and Carols
Anonymous 4 with Andrew Lawrence-King (Irish harp, Baroque harp, Psaltery)
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Hard to know which star shines brightest here: Andreas Staier's or that of the instrument, a copy of a 1734 Hass. —
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Mozart: Piano Concertos Nos. 17 & 22
Kristian Bezuidenhout [fortepiano: Paul McNulty, Divisov, Czech Republic, 2009, after Anton Walter & Sohn, Vienna, 1805]
Freiburger Barockorchester, Petra Müllejans
Bezuidenhout gives us characteristically thought-provoking performances of two of the great Mozart Concertos. Particularly felicitous is his use of solo orchestra strings for some of the music's... —
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12th-century music associated with the veneration of St James at Santiago de Compostela’s cathedral. Characterful vocalism from the eight male voices, including the spectacular basso profundo... —
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