Capriccio
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I know that ensembles and new music organisations are usually reluctant to engage with the idea that they have a house style but, in this case, it's a sign of artistic confidence and strength. —
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Mankell: Piano Concerto & Nystroem: Concerto Ricercante
Anna Christensson (piano)
Deutsche Staatsphilharmonie Rheinland-Pfalz, Roberto Paternostro
[Nystroem's Concerto ricercante] generates the kind of contrapuntal energy one might expect from the title. There is wit here, too, in the piano-writing, and it is no surprise to learn that... —
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The recording is at its best in the more introspective numbers, where the baritone's manner takes on a moving, world-weary quality: he is beguiling still in 'Morgengruss' and touching in both... —
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Shostakovich: Works for Voice and Orchestra
Fomina/Siniawskaia/Mishenkin/Suleymanov
Rundfunk-Sinfonieorchester Koln, Michail Jurowski
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Bach, C P E: Markus-Passion
Claudia Barainsky, Thomas Dewald, Bart Driessen, Maria Soulis & Ulf Bästlein
EuropaChorAkademie & Mendelssohn Symphonia, Joshard Daus
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Special offer. Zemlinsky: Der Kreidekreis
Renate Behle, Roland Hermann, Reiner Goldberg, Siegfried Lorenz & Celina Lindsley
Radio-Symphonie-Orchester Berlin, Stefan Soltesz
Zemlinsky's penultimate opera is surprisingly austere. Strong performances, but the lack of text and translations is disappointing as there's much spoken dialogue. —
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Kabalevsky: Orchestral Works
Yury Revich (violin), Magda Amara (piano)
Deutsche Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens