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Zemlinsky: Der Kreidekreis

Renate Behle, Roland Hermann, Reiner Goldberg, Siegfried Lorenz & Celina Lindsley

Radio-Symphonie-Orchester Berlin, Stefan Soltesz

Zemlinsky's penultimate opera is surprisingly austere. Strong performances, but the lack of text and translations is disappointing as there's much spoken dialogue.

Zemlinsky: Der Kreidekreis

Renate Behle, Roland Hermann, Reiner Goldberg, Siegfried Lorenz & Celina Lindsley

Radio-Symphonie-Orchester Berlin, Stefan Soltesz

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This release includes a digital booklet

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Zemlinsky's penultimate opera is surprisingly austere. Strong performances, but the lack of text and translations is disappointing as there's much spoken dialogue.

About

Der Kreidekreis was composed in 1931/32, and was the then 61-year old Zemlinsky’s seventh and last completed opera.

The story is a blend of fairy-tale Utopia, social criticism and inwardness, all of which make themselves felt in Zemlinsky’s music which seeks to combine varied stylistic components.

Contents and tracklist

"Ich bitte untertänigst, mich vorstellen zu dürfen"
Track length3:37
"Meine Schwester naht, die Dämmerung"
Track length7:38
"Ich habe dich, Schwester, gesucht"
Track length3:40
"Am ufer hinter Weiden"
Track length1:59
"Ich bin ein Abenteurer"
Track length5:55
"Hier ist ein Stück Kreide"
Track length5:06
"Mein Name ist Ma"
Track length2:19
"Eine neue Blume im Garten des Herm Tong"
Track length5:12
Prelude
Track length0:55
"Mein Name ist Yu-Pei"
Track length8:18
"Tschao-hai nennt man mich"
Track length4:27
"Ich bitte Platz zu nehmen"
Track length2:08
"Nun bin ich gegangen"
Track length3:48
"Was will der fremde Mann am Zaun?"
Track length4:59
"Sie sprachen am Gartenzaun"
Track length2:49
"Darf ich eine Frage an meinen Herrn richten?"
Track length5:39
"Sie wollen Tee trinken, gnädiger herr?"
Track length3:51
Prelude
Track length1:44
"Mein Name ist Tschu-tschu"
Track length2:17
"Ich bitte um Vergebung"
Track length1:32
"Vorsicht, treten, Sie nicht in den Kreidekreis"
Track length5:19
"Tschang-Haitang, Tochter der Tschang"
Track length3:29
"Wir wollen zu diesem Punkt vernehmen"
Track length4:33
"Himmlisches Licht"
Track length5:26
Episode
Track length1:14
"Soldat, Du bist mein Kamerad" (I)
Track length2:01
"Höre mich, Sturm!"
Track length3:39
"Soldat, Du bist mein Kamerad" (II)
Track length1:36
"Hier auf den Stufen meines Tribunals"
Track length3:15
"Diese Dame soll ihren Mann ermordet"
Track length2:40
"Und nun, Ihr beiden Frauen"
Track length4:31
"Mein Kind! Mein Kind!"
Track length2:11
"In jener Nacht"
Track length6:06

Awards and reviews

February 2014

Zemlinsky's penultimate opera is surprisingly austere. Strong performances, but the lack of text and translations is disappointing as there's much spoken dialogue.

Opera Now

it’s a fascinating score, superbly orchestrated with more than a nod to the dance and jazz idioms of the day and some exotic Chinese scoring, but despite Stefan Soltész’s rhythmic conducting and the spiciness that the Radio-Symphonie-Orchester Berlin brings to the recording it doesn’t hold interest.
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