Pentatone
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New. The Leipzig Collegium Musicum Vol. 1: Music before Bach
Neues Bachisches Collegium Musicum Leipzig, Reinhard Goebel
Goebel's programme is appealing and contains music by Johann Beer and Melchior Hoffmann, for which world premiere recording status is claimed...A stimulating issue which explores some untrodden... —
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BBC Music Magazine, August 2026, Choral Choice
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Special offer. Beethoven: Fidelio
Lise Davidsen (Leonore), Christian Elsner (Florestan), Georg Zeppenfeld (Rocco), Johannes Martin Kränzle (Don Pizarro), Christina Landshamer (Marzelline), Cornel Frey (Jaquino), Günther Groissböck (Don Fernando), Dresdner Philharmoniker, Marek Janowski
it’s the orchestra which catches attention, with Janowski coaxing heartfelt playing from the strings and above all the horns, who somehow come to signify all that is most hopeful in this great... —
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Presto Editor's Choice, July 2021
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International Classical Music Awards, 2022, Nominated - Opera
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The voice is elegant, flexible and carefully controlled, with sympathetic support provided by Gli Originali under the baton of Riccardo Frizza. —
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Presto Recording of the Week, 11th November 2022
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Presto Recordings of the Year, Finalist 2022
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Gramophone Magazine, January 2023, Recording of the Month
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International Opera Awards, 2023, Nominated - Recording (Solo Recital)
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International Classical Music Awards, 2024, Nominated - Vocal Music
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Gramophone Magazine, Critics' Choice 2023
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Special offer. Stravinsky: Perséphone
RecommendedAndrew Staples & Pauline Cheviller
Finnish National Opera, Esa-Pekka Salonen
Orchestral textures are clean yet sensuous, rhythms exactingly precise...In lesser hands, the score can seem episodic. Salonen, however, forges it into a unified drama, in which not a note or... —
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Presto Editor's Choice, August 2018
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Gramophone Magazine, October 2018, Editor's Choice
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Presto Recordings of the Year, Finalist 2018
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The Guardian Classical Albums of the Year, 2018
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Limelight Magazine Recordings of the Year, 2018, Nominated - Vocal/Choral
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Special offer. Brahms: Symphony No. 2 & Academic Festival Overture
Gewandhausorchester Leipzig, Herbert Blomstedt
Blomstedt takes a decidedly autumnal view of Brahms’s Second Symphony – and he has every right to do so...His lingering account of the first movement alone occupies well over 20 minutes…With... —
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BBC Music Magazine, June 2021, Orchestral Choice
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International Classical Music Awards, 2022, Nominated - Symphonic Music
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The lower female voice was Brahms’s favourite vocal type, and Richter’s has a warmly sensual sound which is multidimensional without heaviness...These musicians have a dynamic understanding... —
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BBC Music Magazine, November 2022, Choral & Song Choice
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International Classical Music Awards, 2023, Nominated - Vocal Music
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Opus Klassik Awards, 2023, Nominated - Female Singer of the Year
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This musical partnership is companionable, even exciting, because Vogt does not ‘accompany’ slavishly, but retains his own character, spreading, anticipating or delaying harmonies to tell an... —
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Presto Editor's Choice, September 2022
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Presto Recordings of the Year, Finalist 2022
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International Classical Music Awards, 2023, Nominated - Vocal Music
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Special offer. Soirée
RecommendedMagdalena Kožená (mezzo), Sir Simon Rattle (piano), Rahel Rilling (violin), Wolfram Brandl (violin), Yulia Deyneka (viola), David Adorjan (cello), Andrew Marriner (clarinet)
There is some lovely singing from Kožená, whose fawn-tinted mezzo retains its attractive quality from her earliest discs…She sings the two Brahms collections well, especially the Ophelia Songs,... —
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Presto Recording of the Week, 13th September 2019
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International Classical Music Awards, 2019, Nominee - Assorted Program
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Hand on heart, it's a long while since I’ve enjoyed a new Mahler Five as much as this. For a start, Rafael Payare clearly sees this teeming, almost over-rich score as a vibrant, purposeful whole...Yet... —
Awards:
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BBC Music Magazine, May 2023, Orchestral Choice
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Gramophone Magazine, June 2023, Editor's Choice
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International Classical Music Awards, 2024, Nominated - Symphonic Music
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Special offer. Mahler: Das Lied von der Erde
RecommendedRobert Dean Smith (tenor), Sarah Connolly (mezzo-soprano), Berlin Radio Symphony Orchestra, Vladimir Jurowski
[Connolly] makes the perfect case for pulling the lustrous stops out at each death-transcending release in the ‘Farewell’; Mahler may mark the dynamics at a lower level, but the emotion is irresistible.... —
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Gramophone Magazine, September 2020, Recording of the Month
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Presto Recordings of the Year, Finalist 2020
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Gramophone Magazine, Critics' Choice 2020
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BBC Music Magazine Awards, 2021, Shortlisted - Vocal
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Gramophone Awards, 2021, Shortlisted - Voice & Ensemble
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