Special offer. Signor Gaetano
Javier Camarena (tenor), Gli Originali, Riccardo Frizza
Awards:
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Presto Recording of the Week, 11th November 2022
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Presto Recordings of the Year, Finalist 2022
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Gramophone Magazine, January 2023, Recording of the Month
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International Opera Awards, 2023, Nominated - Recording (Solo Recital)
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International Classical Music Awards, 2024, Nominated - Vocal Music
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Gramophone Magazine, Critics' Choice 2023
The voice is elegant, flexible and carefully controlled, with sympathetic support provided by Gli Originali under the baton of Riccardo Frizza.
Special offer. Signor Gaetano
Javier Camarena (tenor), Gli Originali, Riccardo Frizza
Purchase product
Awards:
-
Presto Recording of the Week, 11th November 2022
-
Presto Recordings of the Year, Finalist 2022
-
Gramophone Magazine, January 2023, Recording of the Month
-
International Opera Awards, 2023, Nominated - Recording (Solo Recital)
-
International Classical Music Awards, 2024, Nominated - Vocal Music
-
Gramophone Magazine, Critics' Choice 2023
The voice is elegant, flexible and carefully controlled, with sympathetic support provided by Gli Originali under the baton of Riccardo Frizza.
About
Star tenor Javier Camarena makes his Pentatone debut with Signor Gaetano, together with Gli Originali under the baton of Italian opera specialist Riccardo Frizza, presenting a carefully-curated exploration of Donizetti's greatest tenor arias. Besides famous excerpts from L'elisir d'amore, Don Pasquale and Roberto Devereux, this project focuses on hidden gems from rarely-recorded works such as Betly, Maria de Rudenz and Il giovedì grasso. Camarena and Frizza's exceptional sense of style is enhanced by the period instrument playing of Gli Originali. The recording took place at the Teatro Donizetti in the composer's hometown Bergamo, as part of the yearly Donizetti Festival, of which Frizza is the musical director. Javier Camarena is one of the most in-demand tenors of his generation, and one of the world's leading bel canto specialists. Riccardo Frizza frequents major opera houses, was awarded the Best Conductor prize at the International Opera XXI Awards, and returns to Pentatone after having featured on The Three Queens (Donizetti) with Sondra Radvanovsky and Lyric Opera Chicago (2022). Gli Originali was founded within the context of the Bergamo Donizetti Festival, and aims to revive the sound world of early nineteenth-century opera with period instruments and a historically-informed approach.
Contents and tracklist
- Javier Camarena (tenor)
- Gli Originali, Coro Donizetti Opera
- Riccardo Frizza
- Javier Camarena (tenor), Alessia Pintossi (soprano)
- Gli Originali
- Riccardo Frizza
- Javier Camarena (tenor)
- Gli Originali, Coro Donizetti Opera
- Riccardo Frizza
- Javier Camarena (tenor), Edoardo Milletti (tenor)
- Gli Originali, Coro Donizetti Opera
- Riccardo Frizza
- Javier Camarena (tenor)
- Gli Originali, Coro Donizetti Opera
- Riccardo Frizza
Spotlight on this release
Awards and reviews
-
Presto Recording of the Week11th November 2022
-
Presto Recordings of the YearFinalist 2022
-
Gramophone MagazineJanuary 2023Recording of the Month
-
International Opera Awards2023Nominated - Recording (Solo Recital)
-
International Classical Music Awards2024Nominated - Vocal Music
-
Gramophone MagazineCritics' Choice 2023
Christmas Issue 2022
The voice is elegant, flexible and carefully controlled, with sympathetic support provided by Gli Originali under the baton of Riccardo Frizza.
May/June 2023
This CD displays as near to perfect tenor singing as is possible, in repertoire that suits Camarena to perfection. This is done together with a conductor that without a doubt paces his period instrument band to perfection, so that the music flows naturally, much in that way Tullio Serafin managed in most of his recordings. For all Donizetti fans and any fans of bel canto, it is simple: Treat yourselves!
January 2023
This is a hugely enjoyable and unusually satisfying and engaging operatic recital from a singer at the top of his game – a superb album that does Signor Gaetano himself proud.
11th November 2022
With his sweet, warm timbre (rounder and less astringent than that of his slightly older contemporary Juan Diego Flórez) and endearing stage-presence, Camarena is ideal casting for Donizetti’s wide-eyed comic heroes - but it's a thrilling shock to the system to hear him unsheath the vocal steel that lurks within the velvet in the more dramatic roles here, especially once the high Cs, Ds and even E flats start flying.