Special offer. Schubert: Schwanengesang
Ian Bostridge (tenor), Lars Vogt (piano)
Awards:
-
Presto Editor's Choice, September 2022
-
Presto Recordings of the Year, Finalist 2022
-
International Classical Music Awards, 2023, Nominated - Vocal Music
This musical partnership is companionable, even exciting, because Vogt does not ‘accompany’ slavishly, but retains his own character, spreading, anticipating or delaying harmonies to tell an...
Special offer. Schubert: Schwanengesang
Ian Bostridge (tenor), Lars Vogt (piano)
Purchase product
Awards:
-
Presto Editor's Choice, September 2022
-
Presto Recordings of the Year, Finalist 2022
-
International Classical Music Awards, 2023, Nominated - Vocal Music
This musical partnership is companionable, even exciting, because Vogt does not ‘accompany’ slavishly, but retains his own character, spreading, anticipating or delaying harmonies to tell an...
About
Tenor Ian Bostridge completes his Pentatone trilogy of Schubert song cycles with a rendition of Schwanengesang, together with the renowned pianist Lars Vogt. Schwanengesang was compiled and published after Schubert’s death, and the pieces are literally among his swansongs. Ranging from the romantic ‘Ständchen’ to the gloomy ‘Der Doppelgänger’, these lieder are all infused with a deep sense of melancholia and longing. Just like Winterreise, they are most suited for mature interpreters, both vocally and in terms of life experience, and this recording captures Bostridge’s ripened interpretation, enhanced by Vogt’s masterful playing. Schwanengesang is coupled with the extensive song Einsamkeit (Loneliness), which further adds to the desolate, but ultimately consoling character of the album.
Ian Bostridge is one of the most celebrated tenors and lied interpreters of his generation. His Pentatone recording of Schubert’s Winterreise (2019) was crowned with the ICMA Vocal Music Award 2020. Bostridge has also released Die schöne Müllerin (2020) and Respighi Songs (2021) with the label.
Contents and tracklist
Awards and reviews
-
Presto Editor's ChoiceSeptember 2022
-
Presto Recordings of the YearFinalist 2022
-
International Classical Music Awards2023Nominated - Vocal Music
December 2022
This musical partnership is companionable, even exciting, because Vogt does not ‘accompany’ slavishly, but retains his own character, spreading, anticipating or delaying harmonies to tell an independently compelling tale. His playing has dazzling textural richness.
November 2022
Here – as in the unfinished Symphony No 10 – is where Schubert reached into what we’d now call the Mahler zone, in which Bostridge, now in his late fifties, couldn’t be better suited...Vogt skilfully navigates the music’s mercurial qualities and finds remarkable meaning in moments that are less exalted.
September 2022
The fact that this wonderful recording would be the German pianist's own swansong renders an already deeply affecting interpretation almost unbearably poignant in places (Ständchen and Der Doppelgänger in particular may prove a difficult listen in context) - but there's joy and ebullience too...His chemistry with Bostridge (in superb, virile voice throughout) is writ large in every phrase - how grateful I am that such a special meeting of musical minds was preserved on disc.