Pentatone
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Even Bostridge’s sometimes jarring crescendos sound as bleak cries from the hollowed soul. There is a terrifying icy detachment in Adès’s evocative touch. Above it, Bostridge’s weary wanderer... —
Awards:
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Presto Recording of the Week, 23rd August 2019
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BBC Music Magazine, December 2019, Choral & Song Choice
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Presto Recordings of the Year, Finalist 2019
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Limelight Magazine Recordings of the Year, 2019, Nominated - Vocal
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International Classical Music Awards, 2020, Winner - Vocal
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Opus Klassik Awards, 2020, Nominee - Male Singer of the Year
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Special offer. Gluck: Orfeo ed Euridice
Iestyn Davies (Orfeo), Sophie Bevan (Euridice), Rebecca Bottone (Amor)
La Nuova Musica, David Bates
Bates is, like Gluck, wonderfully radical. Where other directors smooth over disjunctions, he revels in rupture…This is directorship at its most alert, and aiding Bates is an optimal cast…Davies... —
Awards:
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International Classical Music Awards, 2019, Nominee - Opera
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BBC Music Magazine, Christmas 2019, Opera Choice
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Gramophone Magazine, December 2019, Editor's Choice
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Gramophone Awards, 2020, Shortlisted - Opera
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Special offer. French Bel Canto Arias
RecommendedLisette Oropesa (soprano), Sachsischer Staatsopernchor, Dresdner Philharmonie, Corrado Rovaris
Her voice is both pure and full-bodied, with an extensive range in terms of both tessitura and characterisation, allowing her to do justice to the many different moods showcased on this recording,... —
Awards:
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Presto Editor's Choice, October 2022
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Presto Recordings of the Year, Finalist 2022
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Gramophone Magazine, November 2022, Editor's Choice
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Opus Klassik Awards, 2023, Nominated - Female Singer of the Year & Solo Vocal
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Gramophone Awards, 2023 Finalists, Finalist - Voice & Ensemble
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International Opera Awards, 2023, Winner - Solo Recording
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Special offer. Schoenberg: Transfigured Night & Haydn: Cello Concertos Nos. 1 & 2
RecommendedAlisa Weilerstein (cello)
Trondheim Soloists
In performances of such freshness, verve and chamber transparency, the concept works...You’d go far to find performances of the Haydn concertos that match Alisa Weilerstein’s mix of stylistic... —
Awards:
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Presto Recording of the Week, 10th August 2018
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Gramophone Magazine, October 2018, Editor's Choice
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Presto Recordings of the Year, Finalist 2018
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Aimard finds something special every time and all are played with utmost tenderness. The sound of the piano, a mid-1950s Steinway that once did service at Rudolfinum in Prague, adds its own... —
Awards:
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Presto Recordings of the Year, Finalists 2024
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International Classical Music Awards, 2025, Nominated - Solo Instrument
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Sunday Times, 20 Best Classical Albums of 2024
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Special offer. Weber: Der Freischütz
RecommendedLise Davidsen (Agathe), Andreas Schager (Max), Sofia Fomina (Ännchen), Alan Held (Kaspar), Markus Eiche (Ottokar), Franz-Josef Selig (Eremit)
Frankfurt Radio Symphony, MDR Leipzig Radio Choir, Marek Janowski
It is carefully done, and due attention is paid to Weber’s inventive score, but the result is frankly pedestrian…There’s good singing here, led by Lise Davidsen’s sweet-toned Agathe, who sings... —
Awards:
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Record Review, 26th October 2019, Disc of the Week
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Presto Editor's Choice, October 2019
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Presto Recordings of the Year, Finalist 2019
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International Classical Music Awards, 2019, Nominee - Opera
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Special offer. Golden Age
RecommendedErin Morley (soprano), Lawrence Brownlee (tenor), Munich Radio Orchestra, Ivan Repušić
Both singers are completely unfazed by the technical challenges made by the composers involved and are equally fully signed up to the stylistic demands involved; words are perfectly articulated... —
Awards:
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BBC Music Magazine, December 2025, Opera Choice
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International Classical Music Awards, 2026, Nominated - Vocal Music
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Presto Recordings of the Year, Finalist 2025
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The New York Times, Best Classical Music Albums of 2025
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Special offer. Beethoven: Fidelio
Lise Davidsen (Leonore), Christian Elsner (Florestan), Georg Zeppenfeld (Rocco), Johannes Martin Kränzle (Don Pizarro), Christina Landshamer (Marzelline), Cornel Frey (Jaquino), Günther Groissböck (Don Fernando), Dresdner Philharmoniker, Marek Janowski
it’s the orchestra which catches attention, with Janowski coaxing heartfelt playing from the strings and above all the horns, who somehow come to signify all that is most hopeful in this great... —
Awards:
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Presto Editor's Choice, July 2021
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International Classical Music Awards, 2022, Nominated - Opera
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The voice is elegant, flexible and carefully controlled, with sympathetic support provided by Gli Originali under the baton of Riccardo Frizza. —
Awards:
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Presto Recording of the Week, 11th November 2022
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Presto Recordings of the Year, Finalist 2022
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Gramophone Magazine, January 2023, Recording of the Month
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International Opera Awards, 2023, Nominated - Recording (Solo Recital)
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International Classical Music Awards, 2024, Nominated - Vocal Music
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Gramophone Magazine, Critics' Choice 2023
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This musical partnership is companionable, even exciting, because Vogt does not ‘accompany’ slavishly, but retains his own character, spreading, anticipating or delaying harmonies to tell an... —
Awards:
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Presto Editor's Choice, September 2022
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Presto Recordings of the Year, Finalist 2022
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International Classical Music Awards, 2023, Nominated - Vocal Music
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