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JS Bach: Violin Concertos BWV1041-1043
Gunar Letzbor, Daniel Sepec (violins), Kees Boeke, Michael Oman (recorders)
St. Florianer Sängerknaben, Kepler Konsort & Ars Antiqua Austria
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Hana Blazikova has an ideal voice for this repertory. She sings the penitential phrases with a plain, moving sincerity, and blossoms wonderfully in the roulades. The three players of CordArte... —
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Muffat, Georg: Misse in labore regules
St. Florianer Sängerknaben & Ars Antiqua Austria, Gunar Letzbor
The recording is excellent: the details, especially in the episodes for solo voices, come off very well, but that isn’t at the expense of the ensemble. The tutti passages are meant to make an... —
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Carlo Farina: Sonate e Canzoni
Leila Schayegh (violin), Jörg Halubek (harpsichord, continuo organ), Daniele Caminiti (archilute) & Jonathan Pesek (cello, viola da gamba)
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Veneziano: In Officium Defunctorum
Nocturnes for the Dead
Jenny Högström (soprano), Filippo Mineccia (countertenor), Kevin Skelton (tenor) & Marc Pantus (bass)
Ensemble Odyssee, Andrea Friggi
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Brahms: Violin Concerto & Symphony No. 3
Emilio Percan (violin & direction)
National Symphony Orchestra of the Republic of Bashkortosta
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Giacomo Antonio Perti: Grands Motets
for Ferdinando de' Medici
Daniela Dolci (organ & direction)
Musica Fiorita & Basler Madrigalisten
The magnificent closing eight-part chorus [of Date melos] has a central contrapuntal section that is the equal of the finest solemn church music by Lotti or Scarlatti…This long overdue advocacy... —
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It’s hard to imagine Haydn’s early violin concertos played with fresher, more graceful vivacity. Faust on seraphic form, finds ideal partners in Poppen and the Munich Chamber Orchestra. —
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