Giacomo Antonio Perti: Grands Motets
for Ferdinando de' Medici
Daniela Dolci (organ & direction)
Musica Fiorita & Basler Madrigalisten
The magnificent closing eight-part chorus [of Date melos] has a central contrapuntal section that is the equal of the finest solemn church music by Lotti or Scarlatti…This long overdue advocacy...
Giacomo Antonio Perti: Grands Motets
for Ferdinando de' Medici
Daniela Dolci (organ & direction)
Musica Fiorita & Basler Madrigalisten
Purchase product
The magnificent closing eight-part chorus [of Date melos] has a central contrapuntal section that is the equal of the finest solemn church music by Lotti or Scarlatti…This long overdue advocacy...
About
Giacomo Antonio Perti (1661-1756) was the most important composer and representative of the Bolognese school at the beginning of the 18th century. From 1696 up until his death, he was conductor at the Basilica of San Petronio in Bologna.
The great prince of Tuscany, Ferdinando III de'Medici, especially valued Perti and charged him with the composition of six operas, for his theatre near Florence, and six extensive motets for the birthday of his father Cosimo III. The operas unfortunately are lost, but the music for the motets survives, leaving us the legacy of this unique example of Italian Grand Motet. In this premiere recording Musica Fiorita chose three of the most representative motets out of the six, spanning the years 1704-1706. They demonstrate the full range of the available styles and instrumentation used by Perti. All the motets, except Gaudeamus omnes (which uses a different text), terminate with a lively and flamboyant fugue on the word Alleluia, an ideal wrapping of what would have been a grandiose and lavish liturgical celebration.
Contents and tracklist
- Cristina Grifone (soprano), Raitis Grigalis (bass), Jean-François Madeuf (trumpet)
- Basler Madrigalisten, Musica Fiorita
- Daniela Dolci
- Recorded: 5-9 December 2015
- Recording Venue: Adullan-Kapelle, Basel, Sweitzerland
- Cristina Grifone (soprano), Flavio Ferri-Benedetti (countertenor), Ivo Haun (tenor), Raitis Grigalis (bass)
- Basler Madrigalisten, Musica Fiorita
- Daniela Dolci
- Recorded: 5-9 December 2015
- Recording Venue: Adullan-Kapelle, Basel, Sweitzerland
- Jessica Jans (soprano), Ivo Haun (tenor), Raitis Grigalis (bass)
- Basler Madrigalisten, Musica Fiorita
- Daniela Dolci
- Recorded: 5-9 December 2015
- Recording Venue: Adullan-Kapelle, Basel, Sweitzerland
Awards and reviews
August 2017
The magnificent closing eight-part chorus [of Date melos] has a central contrapuntal section that is the equal of the finest solemn church music by Lotti or Scarlatti…This long overdue advocacy of Perti’s merits also reveals a tantalising glimpse into the under-explored musical culture of Florence during the last years of the Medici dynasty.
14th May 2017
Dolci directs her stylish forces in excellent performances of three large-scale sacred motets written for the prince: Perti’s beautifully coloured music is made meltingly lyrical.