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Giacomo Antonio Perti: Grands Motets

for Ferdinando de' Medici

Daniela Dolci (organ & direction)

Musica Fiorita & Basler Madrigalisten

The magnificent closing eight-part chorus [of Date melos] has a central contrapuntal section that is the equal of the finest solemn church music by Lotti or Scarlatti…This long overdue advocacy...

Giacomo Antonio Perti: Grands Motets

for Ferdinando de' Medici

Daniela Dolci (organ & direction)

Musica Fiorita & Basler Madrigalisten

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320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
The magnificent closing eight-part chorus [of Date melos] has a central contrapuntal section that is the equal of the finest solemn church music by Lotti or Scarlatti…This long overdue advocacy...

About

Giacomo Antonio Perti (1661-1756) was the most important composer and representative of the Bolognese school at the beginning of the 18th century. From 1696 up until his death, he was conductor at the Basilica of San Petronio in Bologna.

The great prince of Tuscany, Ferdinando III de'Medici, especially valued Perti and charged him with the composition of six operas, for his theatre near Florence, and six extensive motets for the birthday of his father Cosimo III. The operas unfortunately are lost, but the music for the motets survives, leaving us the legacy of this unique example of Italian Grand Motet. In this premiere recording Musica Fiorita chose three of the most representative motets out of the six, spanning the years 1704-1706. They demonstrate the full range of the available styles and instrumentation used by Perti. All the motets, except Gaudeamus omnes (which uses a different text), terminate with a lively and flamboyant fugue on the word Alleluia, an ideal wrapping of what would have been a grandiose and lavish liturgical celebration.

Contents and tracklist

Cantate laeta carmina (Chorus)
Track length3:52
Recitative: Exaltata super corus angelorum
Track length00:55
Aria: O superni felices candori
Track length3:07
Recitative: Quasi arcus resurgens
Track length00:41
Aria: Tubarum sonitus, fugate caelitus
Track length3:51
Recitative: Tu vota suscipe clemens
Track length00:36
Aria: O columba speciosa
Track length3:29
Cantate laeta carmina - Alleluia (Chorus)
Track length4:42
Date melos, date honores (Chorus)
Track length2:31
Recitative: Elevamini mortales oculi
Track length1:34
Aria: Quam dulce repetit
Track length5:17
Recitative: Attollite portas
Track length00:45
Aria: Flores Arni flores principum
Track length5:31
Duet: Iam sedet in astris
Track length3:17
Recitative: Terribilis ut castrorum acies
Track length00:47
Aria: Fremunt tartara, lugent demones
Track length3:46
Jubilate caelorum incolae (Chorus)
Track length4:09
Gaudeamus omnes (Chorus)
Track length3:20
Recitative: Hodie maria virgo regali ex progenie
Track length00:43
Aria: Felices gaudete regnate
Track length2:49
Duet: Cum principibus plaudite
Track length3:30
Recitative: Sed ad quid iubilare
Track length00:47
Aria: Virgo dulcis virgo pia
Track length2:49
Te semper volumus amare (Chorus)
Track length3:47

Awards and reviews

August 2017

The magnificent closing eight-part chorus [of Date melos] has a central contrapuntal section that is the equal of the finest solemn church music by Lotti or Scarlatti…This long overdue advocacy of Perti’s merits also reveals a tantalising glimpse into the under-explored musical culture of Florence during the last years of the Medici dynasty.

14th May 2017

Dolci directs her stylish forces in excellent performances of three large-scale sacred motets written for the prince: Perti’s beautifully coloured music is made meltingly lyrical.
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