Opera, Destouches, A (composer)
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We very quickly learn just how characterful Desandre can be with her amused, laughing reactions to women in battle in ‘Non posso far’, and the dark glitter of her voice in the melancholic ‘Lasciatemi... —
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Gramophone Magazine, Awards Issue 2021, Editor's Choice
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Presto Editor's Choice, October 2021
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Presto Recordings of the Year, Finalist 2021
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Record Review, Records of the Year 2021
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Opus Klassik, 2022, Female Singer of the Year
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Gramophone Awards, 2022, Finalist - Voice & Ensemble
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Throughout the album, her care for words is exemplary. An additional pleasure is a handful of orchestral pieces, none more charming than the Menuet from Rameau's Acanthe et Céphise. —
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Special offer. André Cardinal Destouches: Issé
Etienne Bazola (baritone), Matthieu Lecroart, Mathias Vidal (tenor), Judith van Wanroij (soprano), Chantal Santon Jeffery (soprano), Thomas Dolié (baritone), Louis-Noël Bestion de Camboulas, Eugénie Lefebvre, Les chantres du centre de musique baroque de Versailles, Louis-Noël Bestion de, Ensemble...
I can have nothing but praise for the performance here. The ensemble and soloists are all first-rate, and their sensitive and lively interpretations of Destouches music are spot on. The instrumental... —
Awards:
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Diapason d’Or, December 2019, Découverte
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Awards:
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International Opera Awards, 2020, Nominated - Solo Recital Recording
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Les Grandes Eaux Musicales 2007
All tracks recorded between 2000 and 2006
Le Concert Spirituel, Hervé Niquet
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this is doubtless a good-value way to explore the ensemble’s work and some otherwise unavailable though interesting repertoire —
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Audio formats guide -
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Special offer. Delalande & Destouches: Les Eléments
Ensemble les Surprises and Louis-Noël Bestion de Camboulas, Louis-Noël Bestion de Camboulas, Ensemble les Surprises, Élodie Fonnard, Etienne Bazola, Louis-Noël Bestion de Camboulas and Eugénie Lefebvre, Eugénie Lefebvre and Etienne Bazola, Eugénie Lefebvre and Louis-Noël Bestion de Camboulas, Eugénie...
The scoring, as presented, is delightful…[and] all get a chance to shine, especially the virtuoso flute and bassoon…the music is always engaging…it only remains to add that the baritone Etienne... —
