Jos van Immerseel
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'Fantastique' indeed as the symphony has all its original colours via the stunning period instruments of Anima Eterna —
Awards:
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Presto Recording of the Week, 12th April 2010
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Gramophone Magazine, May 2010, Disc of the Month
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Special offer. Beethoven - Complete Symphonies
RecommendedAnna-Kristina Kaappola (soprano), Marianne Beate Kielland (mezzo), Markus Schäfer (tenor), Thomas E. Bauer (baritone)
Anima Eterna, Jos van Immerseel
Indeed, from the first bristling chords, Anima Eterna's playing held me on the edge of my seat. —
Awards:
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Presto Recording of the Week, 28th April 2008
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Gramophone Magazine, June 2008, Editor's Choice
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Presto Favourites, Recommended Recording
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Special offer. Orff: Carmina Burana
RecommendedYeree Suh (soprano), Yves Saelens (tenor), Thomas Bauer (baritone)
Anima Eterna Brugge, Collegium vocale gent & Cantate Domino, Jos van Immerseel
Immerseel plus Anima Eterna spells revisionism, and that is what you get here: a Carmina Burana retooled with instruments of its period, and stripped of back-projected late-Romantic cushiness...The... —
Awards:
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Presto Recording of the Week, 10th November 2014
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BBC Music Magazine, February 2015, Choral & Song Choice
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Special offer. Jos Van Immerseel Conducts Musorgsky & Ravel
RecommendedAnima Eterna Brugge, Jos Van Immerseel
Harshness is left to the Musorgsky, in which the characterisation is as sharp as a needle, with terrifying catacombs and spookily surrealist huts on chickens' legs...Immerseel tailors the trumpet's... —
Awards:
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Gramophone Magazine, July 2014, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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Most of us have got used to period instruments playing Beethoven but 'early music' groups tackling later repertoire still raise eyebrows.
Similarly, the suggestion that there is a good composer... —Awards:
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Gramophone Magazine, August 2005, Editor's Choice
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Special offer. Ravel: Boléro, etc.
Claire Chevalier (piano)
Anima Eterna (on period instruments), Jos van Immerseel
…the left Hand Concerto Claire Chevallier does not match Krystian Zimerman's brilliance and drive. The point is, she is not trying to. Her interpretation… is more lyrical and reflective and... —
Awards:
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BBC Music Magazine Awards, 2007, Orchestral Finalist
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Mozart: Concertos
RecommendedJos Van Immerseel (fortepiano) & Yoko Kaneko (fortepiano), Frank Theuns (flute), Marjan de Haer (harp), Ulrich Hubner (horn)
Anima Eterna
Awards:
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Building a Library, September 2018, Recommended Recording
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Rossini: Petite Messe solennelle
RecommendedMireille Capelle (soprano), Catherine Patriasz (alto), Joseph Cornwell (tenor), Jelle Draijer (bass), Wyneke Jordans (piano), Leo van Doeselaar (harmonium)
Nederlands Kamerkoor, Jos van Immerseel (piano & direction)
Awards:
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Building a Library, May 2001, First Choice
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Anima Eterna perform Schubert’s ever-lovable Octet on instruments largely from the early 19th century. And these instruments are wild…There’s a graininess to the strings and a glorious hollowness... —
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