…the left Hand Concerto Claire Chevallier does not match Krystian Zimerman's brilliance and drive. The point is, she is not trying to. Her interpretation… is more lyrical and reflective and at times more sheerly beautiful - in fact much closer to that of Ravel's chosen interpreter Jacques Février. Whatever recordings you may have of these works, this disc is a must, balancing opulence against clarity in the orchestral sound and respecting the diamond-hard construction on which Ravel lavished so many sleepless nights.

…the perfect showcase for period instruments from early in the 20th century. …the 1905 Erard piano used in the Left-Hand Concerto, with its rather clangy, clattering tone, gives extra clarity to the flourishes in the piano part. With Claire Chevallier a most sensitive soloist, very French in style, the piano is the more clearly defined over the highly original, generally low-lying orchestration, growling up from nowhere at the start.