Special offer. Beethoven - Complete Symphonies
Anna-Kristina Kaappola (soprano), Marianne Beate Kielland (mezzo), Markus Schäfer (tenor), Thomas E. Bauer (baritone)
Anima Eterna, Jos van Immerseel
Awards:
-
Presto Recording of the Week, 28th April 2008
-
Gramophone Magazine, June 2008, Editor's Choice
-
Presto Favourites, Recommended Recording
Indeed, from the first bristling chords, Anima Eterna's playing held me on the edge of my seat.
Special offer. Beethoven - Complete Symphonies
Anna-Kristina Kaappola (soprano), Marianne Beate Kielland (mezzo), Markus Schäfer (tenor), Thomas E. Bauer (baritone)
Anima Eterna, Jos van Immerseel
Purchase product
Awards:
-
Presto Recording of the Week, 28th April 2008
-
Gramophone Magazine, June 2008, Editor's Choice
-
Presto Favourites, Recommended Recording
Indeed, from the first bristling chords, Anima Eterna's playing held me on the edge of my seat.
About
"We know that Beethoven asked musicians very precise questions about the technical capacities of their instruments. So he knew exactly what he was doing when he pushed an instrument to the very limit of its possibilities. It’s partly the great technical difficulty that makes his music so revolutionary, but also the dramatic character this element confers on the music (and this dramatisation is further emphasised if one respects contemporary pitch standards, which were high – at least 440, if not more). That’s why it is so important to perform this music on period instruments. - Jos van Immerseel
Contents and tracklist
- Jos van Immerseel, Anima Eterna, Markus Schäfer, Anna-Kristiina Kaappola, Marianne Beate Kielland, Thomas Bauer
Spotlight on this release
Awards and reviews
-
Presto Recording of the Week28th April 2008
-
Gramophone MagazineJune 2008Editor's Choice
-
Presto FavouritesRecommended Recording
June 2008
Indeed, from the first bristling chords, Anima Eterna's playing held me on the edge of my seat.
If you want to go all the way when it comes to historically-informed performances, then I thoroughly recommend this set on period instruments, with Jos van Immerseel conducting Anima Eterna. The Fifth and Seventh symphonies positively crackle with energy, and there's great tenderness in the slow movements, especially in the Fourth Symphony, which sounds unusually but wonderfully mournful.
20th April 2008
[van Immerseel's] progress from the Baroque via the classical to the early Romantic eras is evident in these elegant performances, which are more for the historical purist than the full-on romanticist. The tempi are measured, the playing delicate, painting a portrait more of Beethoven the master craftsman than the fiery visionary.
