Marianna Pizzolato
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Special offer. Rossini: Sigismondo
Hera Hyesang Park, Marianna Pizzolato, Rachel Kelly, Kenneth Tarver, Gavan Ring, Guido Loconsolo, Il Hong, Olga Watts
Keri-Lynn Wilson
The drive and authority of [Wilson's] conducting work wonders for the piece. I like the way she rescues the Overture (reused by Rossini in revised form for Otello in Naples in 1816) from buffo... —
Awards:
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International Classical Music Awards, 2019, Nominee - Opera
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year (Park/Pizzolato)
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Special offer. Vivaldi: Argippo
RecommendedEmőke Baráth (soprano), Marie Lys (soprano), Delphine Galou (contralto), Marianna Pizzolato (mezzo-soprano), Luigi De Donato (bass), Europa Galante, Fabio Biondi
Scholarship aside, what counts is whether Fabio Biondi directing Europa Galante finds satisfying music theatre in this collage. And so he does...Vivaldi’s musical fingerprints are everywhere... —
Awards:
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BBC Music Magazine, January 2021, Opera Choice
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Presto Recording of the Week, 18th December 2020
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Special offer. Rossini: La donna del lago
Sonia Ganassi (Elena), Maxim Mironov (Uberto/Giacomo), Marianna Pizzolato (Malcolm), Ferdinand von Bothmer (Rodrigo di Dhu), Wojtek Gierlach (Douglas d'Angus), Olga Peretyatko (Albina), Stefan Cifolelli (Serano)
SWR Radio Orchestra Kaiserslautern, Prague Chamber Choir & Tubingen Festival...
Like the excellent Opera Rara recording (reviewed above), this new Naxos set was also made live in 2006. An excess of mid-act applause notwithstanding, it offers yet another distinguished account... —
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The Monteverdi Trilogy
Furio Zanasi (baritone), Lucile Richardot (mezzo-soprano), Krystian Adam (tenor), Hana Blažiková (soprano), Gianluca Burrato, Michał Czerniawski, Gareth Treseder, Kangmin Justin Kim (soprano), Carlo Vistoli (countertenor), Anna Dennis (soprano), Marianna Pizzolato (mezzo-soprano), Francesca Boncompagni,...
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Special offer. Vivaldi: Orlando finto pazzo, RV727
Antonio Abete, Gemma Bertagnolli, Marina Comparato, Sonia Prina, Martin Oro, Marianna Pizzolato
Coro del Teatro Regio di Torino, Academia Montis Regalis, Alessandro de Marchi
Orlando finto pazzo ('Orlando feigns madness') was the second of Vivaldi's numerous operas, and his first for the Venetian stage. The story of Orlando's madness is taken not from the usual source,... —
Awards:
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Gramophone Magazine, September 2004, Editor's Choice
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Rossini: L'Italiana in Algeri
Marianna Pizzolato (Isabella), Lorenzo Regazzo (Mustafa), Ruth Gonzalez (Elvira), Elsa Giannoulidou (Zulma), Giulio Mastrototaro (Haly), Lawrence Brownlee (Lindoro), Bruno De Simone (Taddeo) & Gianni Fabbrini (harpsichord continuo)
Virtuosi Brunensis & Transylvania State Philharmonic...
[Pizzolato's] disarmingly seductive Isabella is airier and more graceful than any of her predecessors on record...these latter-day Italian Rossinians act with spirit, project with intelligence... —
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Cherubini: Masses, Overtures & Motets
Camilla Tilling (soprano), Kurt Streit (tenor), Sara Fulgoni (contralto), Tómas Tómasson (bass), Andreas Schulist (tenor), Atsuko Suzuki (soprano), Herbert Lippert (tenor), Ildar Abdrazakov (bass), Marianna Pizzolato (mezzo-soprano), Ruth Ziesak (soprano), Andrew Meyer (tenor), Barbara Fleckenstein...
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Naxos July 2013 New Release Sampler
Alexandrina Pendatchanska (soprano), Robert Cook (horn), Peter Franks (trumpet), Javier Arnal Gonzalez (oboe), Mary Oleskiewicz (baroque flute), Laurence Cummings (harpsichord), Jonathan Manson (viola da gamba), Adrian Butterfield (baroque violin), Philip Dukes (viola), Piers Lane (piano), Thomas...
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Special offer. Rossini: L'Italiana in Algeri
Marianna Pizzolato (Isabella), Marco Vinco (Mustafà), Maxim Mironov (Lindoro), Bruno De Simone (Taddeo), Barbara Bargnesi (Elvira), Maria José Lo Monaco (Zulma), Alex Esposito (Haly)
Orchestra of Teatro Comunale di Bologna, Prague Chamber Choir, Donato Renzetti
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Special offer. Handel: Fernando, rè di Castiglia
Lawrence Zazzo (Fernando), Veronica Cangemi (Elvida), Marianna Pizzolato (Isabella), Max Emmanuel Cencic (Sancio), Filippo Adami (Dionisio), Antonio Abete (Altomaro), Neal Banerjee (Alfonso)
Il Complesso Barocco, Alan Curtis
If the libretto is not of the best then the same cannot be said of Handel's music which offers a veritable banquet. The cast of singers is always effective… and the instrumentalists in all... —
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