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Special offer. Rossini: Sigismondo

Hera Hyesang Park, Marianna Pizzolato, Rachel Kelly, Kenneth Tarver, Gavan Ring, Guido Loconsolo, Il Hong, Olga Watts

Keri-Lynn Wilson

Rossini: Sigismondo
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Awards:

The drive and authority of [Wilson's] conducting work wonders for the piece. I like the way she rescues the Overture (reused by Rossini in revised form for Otello in Naples in 1816) from buffo...

Special offer. Rossini: Sigismondo

Hera Hyesang Park, Marianna Pizzolato, Rachel Kelly, Kenneth Tarver, Gavan Ring, Guido Loconsolo, Il Hong, Olga Watts

Keri-Lynn Wilson

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2 CDs

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This release includes a digital booklet

Stream now Hi-RES 48 kHz, 24 bit

Awards:

The drive and authority of [Wilson's] conducting work wonders for the piece. I like the way she rescues the Overture (reused by Rossini in revised form for Otello in Naples in 1816) from buffo...

About

The Italian composer Gioachino Rossini is best known for his operas. Many of their overtures and arias were catchy tunes at the time and have remained so to this day. Although it is Rossini's comic operas that are primarily performed today, more than half of his stage works are in fact based on serious themes. One veritable rarity is the stage work ""Sigismondo"", which premiered in 1814 at the famous Teatro La Fenice in Venice but was only ever rarely performed afterwards. Presumably, the story on which it was based had no appeal for the audience at that time, because musically, the work is hardly less impressive than the ""Italian Girl in Algiers"", written during the previous year, or the ""Barber of Seville"", which followed two years later. The subject of the opera is, however, based on a long tradition. Rossini shows his protagonist, the fictional King Sigismondo, in extreme states of mental distress. Confusion and insanity reveal inner feelings, and it is only delirium that finally brings the truth to light. This ""madness opera"" is highly topical, both in its subject matter and its musical language after all, Rossini is among the top ten most-performed composers of our time.

Contents and tracklist

Act I: Sinfonia (Live)
Track length7:44
Act I: O prence misero (Live)
Track length8:12
Act I: Né fia, german, che rieda (Live)
Track length1:10
Act I: Non seguirmi... Omai t’invola (Live)
Track length7:26
Act I: Signor, mentre t’adora – O dubbi miei! (Live)
Track length1:55
Act I: O tranquillo soggiorno! – Oggetto amabile (Live)
Track length8:06
Act I: Signora... Ah taci (Live)
Track length0:50
Act I: Di caccia il suono – Al bosco! Alla caccia! (Live)
Track length3:12
Act I: Lo sposo!... Il re!... (Live)
Track length1:36
Act I: Che avvenne? (Live)
Track length5:20
Act I: Giusto cielo m’aita! (Live)
Track length0:29
Act I: Se un tradimento reo... – Un segreto è il mio tormento (Live)
Track length6:51
Act I: Il re dov’è? (Live)
Track length1:58
Act I: Tu l’opra tua seconda (Live)
Track length4:00
Act I: Io dispor che costei (Live)
Track length1:05
Act I: Perché obbedir disdegni? (Live)
Track length7:08
Act I: Quale, o ciel, d’idee funeste (Live)
Track length14:05
Act II: In segreto a che ci chiama? (Live)
Track length2:15
Act II: Ah! Superato il bosco, o sorte avversa! (Live)
Track length0:44
Act II: Viva Aldimira (Live)
Track length1:47
Act II: Come attento Radoski (Live)
Track length1:35
Act II: Come! – Tomba di morte e orrore (Live)
Track length11:43
Act II: M’ingannaste, occhi miei? (Live)
Track length1:23
Act II: Sognava contenti (Live)
Track length4:04
Act II: Misero me! – Giusto ciel che i mali miei (Live)
Track length6:50
Act II: Non tradirmi! (Live)
Track length0:28
Act II: Alla partenza (Live)
Track length7:34
Act II: Io rivedrò Aldimira? (Live)
Track length1:19
Act II: Ecco, ecco, l’indegno! (Live)
Track length0:24
Act II: Genitor... Deh vien! (Live)
Track length9:15
Act II: Alma rea (Live)
Track length10:11
Act II: E tu che per salvarlo (Live)
Track length1:50
Act II: Qual felice amico giorno (Live)
Track length3:44

Awards and reviews

  • International Classical Music Awards
    2019
    Nominee - Opera
  • Opus Klassik Awards
    2020
    Nominee - Female Singer of the Year (Park/Pizzolato)

November 2019

The drive and authority of [Wilson's] conducting work wonders for the piece. I like the way she rescues the Overture (reused by Rossini in revised form for Otello in Naples in 1816) from buffo banality by giving it a rumbustious, even dangerous feel. I also like the way the performance culminates in an electrifying account of the Act 2 quartet…Both [Pizzolato and Tarver] are class acts.

November 2019

Pizzolato exhibits rich and attractively warm tone. Creating a convincing sense of psychological drama, the Italian mezzo-soprano’s delivery is relatively smooth and seems especially comfortable in her high register...A very engaging performance.

August 2020

Pizzolato in the title role is admirably full-toned, barring occasional scratchiness in the middle range. Although seldom able genuinely to enliven the character, she’s clearly born to the style, bringing especially authoritative artistry to her final ...Tarver (Ladislao) approaches all his music elegantly...The theatrically responsive conductor Keri-Lynn Wilson neglects neither the delicacy nor the grandeur of Rossini’s score.

Opera Now September 2019

Wilson’s conducting is solid and the sound is excellent – this is a live concert recording. Marianna Pizzolato is wonderfully fluent as Sigismondo, but her mezzo has a soft-grained texture that sometimes fails to ignite. Hera Hyesang Park’s high-lying soprano is true and confident. And Kenneth Tarver tackles the excruciating tenor role with bravura.
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