Classical Reviews
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Chamber music from the Mendelssohns
29th Jul 2022by David Smith
The Kaleidoscope Chamber Collective performs early works by Fanny and Felix Mendelssohn, complemented by one of Fanny's last-ever compositions.
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Adapted and reconstructed Bach concertos from Francesco Corti and Il Pomo d'Oro
22nd Jul 2022by David Smith
Francesco Corti continues his series of Bach harpsichord concerto recordings with an album of double concertos - including his own collaborative reconstruction with Francesco Zimei of a tantalising fragment.
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Berg, Webern and Schoenberg from the Heath Quartet
15th Jul 2022by Katherine Cooper
The UK-based string quartet bring luminous clarity and beauty to three transitional works by the Second Viennese School, with soprano Carolyn Sampson joining them for Schoenberg's String Quartet No. 2.
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Francesco Piemontesi performs works for piano and orchestra by Ravel, Messiaen, and Schoenberg
8th Jul 2022by James Longstaffe
The Swiss pianist is joined by the Orchestre de la Suisse Romande and conductor Jonathan Nott for a dazzlingly characterful trio of performances.
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Ronald Brautigam performs piano concertos by Johann Wilhelm Wilms
1st Jul 2022by James Longstaffe
Fortepianist Ronald Brautigam is joined by the Kölner Akademie and conductor Michael Alexander Willens for the first of two volumes of concertos by the composer once described as "the Dutch Beethoven".
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Freddie De Tommaso - Il Tenore
24th Jun 2022by Katherine Cooper
The young British-Italian tenor is on barnstorming form in a programme of scenes and arias from Tosca, Turandot, Madama Butterfly and Carmen, with equally impressive guest appearances from Lise Davidsen, Natalya Romaniw and Aigul Akhmetshina.
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Wranitzky Symphonies from Akademie für Alte Musik Berlin
17th Jun 2022by Katherine Cooper
Bernhard Forck leads Akamus in a spirited showcase of the Moravian-born composer’s gifts as an orchestrator, featuring the overture to Oberon, the ‘Grande Symphonie caractéristique pour la Paix avec la République francaise’, and the ‘Tempest’ Symphony.
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Marc-André Hamelin performs William Bolcom's complete piano rags
10th Jun 2022by David Smith
The Canadian pianist brings the 1960s' great ragtime revival into the present with a new recording of the complete rags of one of its leading lights.
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John Williams conducts Anne-Sophie Mutter in his new Violin Concerto
3rd Jun 2022by James Longstaffe
John Williams continues his collaboration with violinist Anne-Sophie Mutter, joining forces with the Boston Symphony Orchestra for the world premiere recording of his Violin Concerto No. 2.
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Sopranista from Samuel Mariño
27th May 2022by Katherine Cooper
The young Venezuelan's silvery timbre and stratospheric high notes provide thrills aplenty in arias by Mozart, Saint-Georges, Cimarosa and Gluck - most of them composed for soprano castratos.
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Ravel Piano Concertos from François-Xavier Roth and Les Siècles
20th May 2022by David Smith
Les Siècles continue their successful series of Ravel recordings on period instruments under François-Xavier Roth, with Cédric Tiberghien at the piano and baritone Stéphane Degout.
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Brahms Quintets from the Pavel Haas Quartet and friends
13th May 2022by James Longstaffe
Three years on from their previous album, the Pavel Haas Quartet make a triumphant recorded return with two quintets by Brahms, for which they are joined by pianist Boris Giltburg and violist Pavel Nikl.
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Farewells from Jakub Józef Orliński & Michał Biel
6th May 2022by Katherine Cooper
The Polish countertenor and pianist fly the flag for their native country in a beguiling recital of songs by Karel Szymanowski, Henryk Czyż, Stanisław Moniuszko, Mieczysław Karłowicz, and Tadeusz Baird.
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Weber's Der Freischütz from René Jacobs
29th Apr 2022by Katherine Cooper
The Belgian conductor's restoration of the original libretto's prologue lends a wonderful symmetry and coherence to Weber's supernatural Singspiel, whilst German actor Max Urlacher is properly spine-chilling in the expanded role of the demon Samiel.
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Weber: Der Freischütz
Maximilian Schmitt (Max), Polina Pasztircsák (Agathe), Kateryna Kasper (Ännchen), Dimitry Ivashchenko (Kaspar), Yannick Debus (Kilian), Matthias Winckhler (Kuno), Christian Immler (Hermit), Max Urlacher (Samiel) Freiburger Barockorchester, Zürcher Sing-Akademie, René Jacobs
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Olga Neuwirth's Orlando
22nd Apr 2022by Katherine Cooper
The Austrian composer's Virginia Woolf-inspired opera delights in blurring boundaries of all kinds, with an astonishing central performance from mezzo Kate Lindsey in the shape-shifting title-role.
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Neuwirth: Orlando (DVD)
Kate Lindsey (Orlando), Anna Clementi (Narrator), Eric Jurenas (Guardian Angel), Justin Vivian Bond (Orlando’s Child), Leigh Melrose (Greene/Shelmerdine), Constance Hauman (Queen/Purity/Friend of Orlando’s Child), Agneta Eichenholz (Sasha/Chastity) Wiener Staatsoper, Matthias Pintscher, Polly Graham
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Bach's St Matthew Passion from Raphaël Pichon
15th Apr 2022by David Smith
Raphaël Pichon and his Pygmalion ensemble present a vision of Bach's masterwork that aims for clarity and immediacy over exhaustingly intense theatrics.
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JS Bach: Matthäus-Passion
Julian Prégardien (Evangelist), Stéphane Degout (Christus), Sabine Devieilhe & Hana Blažiková (sopranos), Lucile Richardot (mezzo), Tim Mead (countertenor), Reinoud Van Mechelen & Emiliano Gonzalez Toro (tenors), Christian Immler (bass-baritone) Pygmalion, Raphaël Pichon
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Franco-Italian recitals from Benjamin Bernheim and Pene Pati
8th Apr 2022by Katherine Cooper
Bernheim traces the history of Italian composers in Paris with his customary elegance and eloquence, whilst Pati's equally impressive debut on Warner reveals a voice of immense character and versatility.
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Johan Dalene performs violin concertos by Nielsen & Sibelius
1st Apr 2022by James Longstaffe
The Swedish violinist offers a characterful performance of Sibelius's concerto alongside a virtuosic account of the piece that swept him to victory at the 2019 Carl Nielsen International Violin Competition.
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Beethoven violin sonatas from Rachel Podger and Christopher Glynn
25th Mar 2022by David Smith
Three snapshots from the beginning, middle and end of Beethoven's career trace his development of the violin sonata form from its Classical roots into new directions.
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Ruth Slenczynska and a Life in Music
18th Mar 2022by David Smith
The pianist's return to the recording studio at the age of 97 offers us a bridge to the bygone era of composers and virtuosos who shaped her career.