Latest stories
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Beethoven’s Fidelio from Abbado and Kaufmann
20th Jun 2011by Katherine Cooper
The German tenor is mesmerising from his very first note, whilst Nina Stemme is scarcely less compelling as his heroic wife Leonore in this exhilarating live concert recording from last year’s Lucerne Festival.
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Beethoven: Fidelio, Op. 72
Jonas Kaufmann (Florestan), Nina Stemme (Leonore), Falk Struckmann (Pizarro), Christof Fischesser (Rocco), Rachel Harnisch (Marzelline), Christoph Strehl (Jaquino), Peter Mattei (Don Fernando) Lucerne Festival Orchestra & Arnold Schoenberg Chor, Claudio Abbado
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Daniel Barenboim plays Chopin and conducts Tchaikovsky
2nd May 2011by Chris O'Reilly
The pianist joins Andris Nelsons and the Staatskapelle Berlin for the two Chopin piano concertos, and conducts an electrifying Pathétique with the West-Eastern Divan Orchestra, which he co-founded with the late Edward Said.
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Striggio: Mass in 40 Parts
7th Mar 2011by Chris O'Reilly
Robert Hollingworth and I Fagiolini give the world premiere recording of the Italian Renaissance composer’s mighty Missa Ecco si Beato Giorno, rediscovered and identified in Paris five years ago, and composed shortly before Tallis’s Spem in alium.
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Jonas Kaufmann: Verismo Arias
27th Sep 2010by Chris O'Reilly
The star tenor branches out from his usual French and German repertoire with an idiomatically Italianate recital of arias by Mascagni, Leoncavallo, Giordano, Cilea and Boito, accompanied by Antonio Pappano and his Roman orchestra.
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Cecilia Bartoli and the world of Castratos
26th Oct 2009by Chris O'Reilly
The intrepid Italian mezzo explores repertoire composed for Farinelli, Caffarelli and Senesino (including music by Porpora, Caldara, Vinci and Leo) with Il Giardino Armonico and Giovanni Antonini.
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The forgotten Maria
12th Nov 2007by Chris O'Reilly
Cecilia Bartoli explores the legacy of the nineteenth-century Spanish mezzo Maria Malibran, who created the title-role in Donizetti’s Maria Stuarda and was particularly associated with the heroines of Rossini.