Daniel Barenboim: The Warsaw Recital
Daniel Barenboim plays Chopin
Daniel Barenboim (piano)
Awards:
-
Presto Recording of the Week, 2nd May 2011
He makes a magisterial start with the great Fantasie in F minor, viewing it from a German Romantic point of view
Daniel Barenboim: The Warsaw Recital
Daniel Barenboim plays Chopin
Daniel Barenboim (piano)
Purchase product
Awards:
-
Presto Recording of the Week, 2nd May 2011
He makes a magisterial start with the great Fantasie in F minor, viewing it from a German Romantic point of view
About
Two releases on Deutsche Grammophon will be devoted to Chopin: a solo recital recorded in Warsaw, with deeply-felt Waltzes, a Polonaise, a Fantasia, a Nocturne and the B flat minor Sonata, as well as Chopin’s two piano concertos, accompanied by the Staatskapelle Berlin under Andris Nelsons, captured live at the Ruhr Piano Festival in July 2010.
Contents and tracklist
- Daniel Barenboim (piano)
- Recorded: 2010-02-28
- Recording Venue: National Philharmonic Hall, Warsaw
- Daniel Barenboim (piano)
- Recorded: 2010-02-28
- Recording Venue: National Philharmonic Hall, Warsaw
- Daniel Barenboim (piano)
- Recorded: 2010-02-28
- Recording Venue: National Philharmonic Hall, Warsaw
- Daniel Barenboim (piano)
- Recorded: 2010-02-28
- Recording Venue: National Philharmonic Hall, Warsaw
- Daniel Barenboim (piano)
- Recorded: 2010-02-28
- Recording Venue: National Philharmonic Hall, Warsaw
- Daniel Barenboim (piano)
- Recorded: 2010-02-28
- Recording Venue: National Philharmonic Hall, Warsaw
- Daniel Barenboim (piano)
- Recorded: 2010-02-28
- Recording Venue: National Philharmonic Hall, Warsaw
- Daniel Barenboim (piano)
- Recorded: 2010-02-28
- Recording Venue: National Philharmonic Hall, Warsaw
- Daniel Barenboim (piano)
- Recorded: 2010-02-28
- Recording Venue: National Philharmonic Hall, Warsaw
- Daniel Barenboim (piano)
- Recorded: 2010-02-28
- Recording Venue: National Philharmonic Hall, Warsaw
Spotlight on this release
Awards and reviews
-
Presto Recording of the Week2nd May 2011
July 2011
He makes a magisterial start with the great Fantasie in F minor, viewing it from a German Romantic point of view
August 2011
The walzes are pointed up with gorgeously varied articulations and well-contoured bass-lines that thankfully draw more attention to the composer than the pianist...the engineering's resonant ambience communicates a palpable sense of occasion and flatters Barenboim's huge, colourful sonority.
21st April 2011
There are, of course, things to admire: the almost Brahmsian shaping of the Op 49 Fantasia, which is revealed again as one of Chopin's most remarkable formal structures; the crystalline beauty of the line spun through both the Berceuse and the Barcarolle; the inwardness of the D flat major Nocturne, carefully nuanced yet crisply defined.