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Gramophone Awards 2025 - The Winners!

Awards

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Chris O'Reilly
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I've just returned from the De Vere Grand Connaught Rooms in London for the annual Gramophone Awards ceremony (presented in partnership with Presto Music), where this year's category-winners, special awards and of course the coveted Recording of the Year prize have just been announced...

Until 5th November, we're offering discounts of up to 20% on the category finalists - and will be bringing exclusive interviews with one or two of the winners over the next week...

Recording of the Year (and Choral Award)

Julie Roset (soprano), Beth Taylor (mezzo-soprano). Lucile Richardot (alto), Emiliano Gonzalez Toro (tenor), Christian Immler (bass), Raphaël Pichon, Pygmalion

'As the starting point, the music is taken entirely on its own terms – essentially Pichon’s personal vision...This B minor Mass is really up there with the very best.'

Available Formats: CD, Hi-Res FLAC/ALAC/WAV, FLAC/ALAC/WAV, MP3

Chamber

Krystian Zimerman (piano), Maria Nowak (violin), Katarzyna Budnik (viola), Yuya Okamoto (cello)

'In short, this is chamber music-making of the highest order.'

Available Formats: CD, Hi-Res FLAC/ALAC/WAV, FLAC/ALAC/WAV, MP3

Concerto

Vilde Frang (violin), Deutsches Symphonie-Orchester Berlin, Robin Ticciati

'Her understanding of Elgar's kaleidoscopic writing is instinctive at all levels...Every lover of Elgar’s masterpiece should try to hear this magnificent addition to the library.'

Available Formats: CD, Hi-Res+ FLAC/ALAC/WAV, Hi-Res FLAC/ALAC/WAV, FLAC/ALAC/WAV, MP3

Contemporary

Marianne Crebassa (Woman), Beate Mordal (Lover 1/Composer), Cameron Shahbazi (Lover 2/Composer's Assistant), John Brancy (Artisan/Collector), Anna Prohaska (Zabelle); Mahler Chamber Orchestra, George Benjamin

'There’s the sense that every phrase has been chiselled, exquisitely crafted and polished... there’s no mistaking the quality of the performances.'

Available Formats: CD, Hi-Res FLAC/ALAC/WAV, FLAC/ALAC/WAV, MP3

Early Music

Ensemble Peregrina, Ensemble Dragma, Agnieszka Budzińska-Bennett

'Mostly known only to specialists of Central European music, Nicholas of Radom gets a proper outing here, his unfussy, stylish music beautifully showcased.'

Available Formats: 3 CDs, FLAC/ALAC/WAV, MP3

Instrumental

María Dueñas (violin), Itamar Golan (piano), Boris Kuschnir (violin); Deutsches Symphonie-Orchester Berlin, Mihhail Gerts

'I’d be hard-pushed to name another modern recording offering anything close to the multicoloured lyrical imagination produced by this 22-year-old.'

Available Formats: 2 CDs, Hi-Res FLAC/ALAC/WAV, FLAC/ALAC/WAV, MP3

Opera

Lise Davidsen (Senta), Gerald Finley (The Dutchman), Brindley Sherratt (Daland), Stanislas de Barbeyrac (Erik), Anna Kissjudit (Mary), Eirik Grøtvedt (Steersman); Orchestra and Chorus of Norwegian National Opera, Edward Gardner

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Available Formats: 2 CDs, Hi-Res FLAC/ALAC/WAV, FLAC/ALAC/WAV, MP3

Orchestral

Katharine Mehrling (Anna), Konzerthausorchester Berlin, Joana Mallwitz

'Die sieben Todsünden (‘The Seven Deadly Sins’) is brought off with deftness and élan...This Weill collection, polished but never slick, merits the very strongest recommendation.'

Available Formats: CD, Hi-Res FLAC/ALAC/WAV, FLAC/ALAC/WAV, MP3

Piano

Alexandre Kantorow (piano)

'Kantorow’s playing can be torrential but it’s never reckless...and because of his uncanny ability to balance inner lines, he manages to untangle Brahms’s thickest passages.'

Available Format: SACD (ECOPAK)

Song

Robin Tritschler (tenor), Philip Higham (cello), Malcolm Martineau (piano), Sean Shibe (guitar)

'A hearty welcome to this exceptionally stimulating programme...With his mellifluous tone, flawless technical prowess and impeccable diction, the Irish tenor covers himself in glory throughout.'

Available Formats: CD, Hi-Res+ FLAC/ALAC/WAV, Hi-Res FLAC/ALAC/WAV, FLAC/ALAC/WAV, MP3

Voice & Ensemble

Huw Montague Rendall (baritone), Opéra Orchestre Normandie Rouen, Ben Glassberg

'Montague Rendall’s characterisations are consistently focused and tellingly insightful throughout...It’s a superb recital and a most distinguished debut, and I cannot recommend it too highly.'

Available Formats: CD, Hi-Res FLAC/ALAC/WAV, FLAC/ALAC/WAV, MP3

Concept Album

George Xiaoyuan Fu (piano)

'As for the Debussy Études, Fu’s recordings contain some of the most enchantingly characterised interpretations I’ve heard since those of Ju-Ying Song, Florent Boffard, Mitsuko Uchida and Jean-Efflam Bavouzet. Yes, they’re that good!'

Available Formats: Hi-Res+ FLAC/ALAC/WAV, Hi-Res FLAC/ALAC/WAV, FLAC/ALAC/WAV, MP3

Artist of the Year - Sir Simon Rattle

Sir Simon Rattle

The British conductor becomes the first artist to receive this award twice, having previously won it in 1993 during his hugely successful tenure as Music Director of the City of Birmingham Symphony Orchestra. Now Chief Conductor of the Bavarian Radio Symphony Orchestra, his recent triumphs on record include outstanding accounts of Mahler’s Symphony No. 7, Haydn’s The Creation and Mozart’s Idomeneo from Munich, Czech songs and Dvořák’s Slavonic Dances with the Czech Philharmonic (where he is now Principal Guest Conductor), and a superb ongoing cycle of Janáček operas with the London Symphony Orchestra.

Young Artist of the Year - Maria Dueñas

María DueñasAs well as her Instrumental Award-winning set of the Paganini Caprices (which also features works by Berlioz, Cervelló, Kreisler, Ortiz, Saint-Saëns, Sarasate and Wieniawski), the Spanish violinist’s recent achievements include a Grammy-winning world premiere recording of Gabriela Ortiz’s new concerto Altar de Cuerda ('String Altar'), which was written for her in 2021: The New York Times noted that ‘Dueñas ventures from tremulous, weeping articulations to slashing outbursts with impressive security’.

Duenas will be touring Europe and the US with Lalo’s Symphonie espagnole this autumn, rounding off the year with performances of the Mendelssohn concerto in Bamberg.

Lifetime Achievement - Sir Thomas Allen

Sir Thomas Allen (photo: Sussie Ahlburg)The beloved Seaham-born baritone made his final stage appearance this summer as Baron Zeta in Glyndebourne’s production of Lehár's The Merry Widow, closing the curtain on a five-decade career which has included over 300 performances at Covent Garden and a vast discography of complete opera recordings, oratorio and song recitals. Also acclaimed as a stage-director, he returns to Scottish Opera in the spring to oversee the revival of his acclaimed production of Mozart’s Le nozze di Figaro and will make a cameo appearance as Arvide Abernathy on John Wilson’s upcoming recording of Guys & Dolls for Chandos.  

Look out for our in-depth interview with Sir Thomas tomorrow, in which he reflects on his childhood, career highpoints and favourite recordings…

Label of the Year - Bru Zane

Bru Zane logoFounded in 2009, the Bru Zane label’s mission is to shine new light on forgotten French music of the long nineteenth century, with recent projects including a comprehensive anniversary celebration of lesser-known works by Georges Bizet, an historically-informed production of Carmen (released on DVD and Blu-ray last November), and recordings of Massenet’s Grisélidis, Lalo’s Le roi d’Ys, and Saint-Saëns’s L’Ancêtre. The awards committee paid tribute to their combination of ‘scholarship and artistic excellence’ as well as their stellar production-values and support for other record-labels.

Explore our Bru Zane special offer here.

Read our interview with Bru Zane’s Artistic Director Alexandre Dratwicki, which covers the Bizet anniversary in detail and outlines plans for future recording projects…

Orchestra of the Year - Bergen Philharmonic 

Bergen Philharmonic logoCurrently directed by British conductor Edward Gardner, the Norwegian orchestra’s recent recordings include a ‘most distinguished’ live account of Strauss’s Salome from the Edinburgh Festival (which is also in the running for an International Opera Award), Brahms’s German Requiem, a ‘vivid and alert’ ongoing Nielsen series, and an ‘ear-prickingly present’ Sibelius Violin Concerto with James Ehnes.

This award was chosen from a shortlist by public vote, with the Gramophone committee noting that ‘[The orchestra’s] commitment to the art form of recording, and their brilliance in it across repertoire, really shines.’

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