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Songs For Peter Pears

Robin Tritschler (tenor), Philip Higham (cello), Malcolm Martineau (piano), Sean Shibe (guitar)

Songs For Peter Pears

Awards:

Tritschler has none of Pears’s uptight characteristics and never sounds like a parody...Pears may be the inspiration for these songs, but with this collection Tritschler and his three superb...

Songs For Peter Pears

Robin Tritschler (tenor), Philip Higham (cello), Malcolm Martineau (piano), Sean Shibe (guitar)

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This release includes a digital booklet

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Awards:

Tritschler has none of Pears’s uptight characteristics and never sounds like a parody...Pears may be the inspiration for these songs, but with this collection Tritschler and his three superb...

About

For a period of the 20th Century, due to his talent and association with Benjamin Britten, Peter Pears was perhaps the world’s most famous classical singer. Pears inspired Britten to create great works of art precisely because Pears was a compelling artist with an exceptional voice, an inquisitive mind, a knowledge of art, history, literature and poetry. They became a self-perpetuating duo, inspiring each other to even greater heights of artistry, technical ability, and emotional certainty. This album of works by Lennox Berkeley, Benjamin Britten, Arthur Oldham, Richard Rodney Bennett and Geoffrey Bush is performed by tenor Robin Tritschler, who is joined by cellist Philip Higham, guitarist Sean Shibe and pianist Malcolm Martineau.

Praise for Robin Tritschler and Malcolm Martineau: ★★★★ Performance, ★★★★ Recording

“Robin Tritschler’s sweet-toned voice is a continual delight, as is Malcolm Martineau’s sparkling, pearly, luminous piano sound” - BBC Music Magazine

Contents and tracklist

No. 1, The half-moon westers low
Track length1:37
No. 2, The street sounds to the soldiers’ tread
Track length2:14
No. 3, He would not stay for me
Track length1:48
No. 4, Look not in my eyes
Track length1:41
No. 5, Because I liked you better
Track length2:53
No. 1, Rachel
Track length1:53
No. 2, Full Moon
Track length2:47
No. 3, All that’s past
Track length2:22
No. 4, The Moth
Track length2:17
No. 5, The Fleeting
Track length3:33
No. 1, Sonnet XVI
Track length2:06
No. 2, Sonnet XXXI
Track length1:41
No. 3, Sonnet XXX
Track length4:05
No. 4, Sonnet LV
Track length1:55
No. 5, Sonnet XXXVIII
Track length1:55
No. 6, Sonnet XXXII
Track length1:27
No. 7, Sonnet XXIV
Track length4:31
No. 1, Under the Pondweed
Track length2:39
No. 2, The Herd Boy’s Song
Track length1:47
No. 3, Fishing
Track length0:43
No. 4, The Pedlar of Spells
Track length0:58
No. 5, A Gentle Wind
Track length3:10
No. 1, Aries
Track length1:57
No. 2, Gemini
Track length0:53
No. 3, Taurus
Track length1:03
No. 4, Cancer
Track length0:47
No. 5, Leo
Track length1:04
No. 6, Virgo
Track length1:01
No. 7, Libra
Track length0:58
No. 8, Scorpio
Track length0:51
No. 9, Sagittarius
Track length0:37
No. 10, Capricorn
Track length1:08
No. 11, Aquarius
Track length1:05
No. 12, Pisces
Track length1:45

Spotlight on this release

Awards and reviews

August 2024

Tritschler has none of Pears’s uptight characteristics and never sounds like a parody...Pears may be the inspiration for these songs, but with this collection Tritschler and his three superb collaborators have renewed and reinforced their enduring expressive power and impact.

July 2024

A hearty welcome to this exceptionally stimulating programme, devised – and essayed with penetrating insight – by Robin Tritschler. With his mellifluous tone, flawless technical prowess and impeccable diction, the Irish tenor covers himself in glory throughout.

21st June 2024

One of the most illuminating vocal recitals to come my way this year; the programme radiates palpable affection and admiration for Pears’s legacy whilst also confirming Tritschler’s own status as one of the most distinguished (and distinctive) heirs apparent to much of the repertoire which his forebear inspired.

27th June 2024

Tritschler’s performances of all these songs are impressively lucid, their diction wonderfully clear; he manages to evoke memories of Pears’s performances without copying them slavishly, and that’s a fine achievement in itself.

25th June 2024

This is a powerful and rewarding release...Tritschler’s tenor has more colour and volume than Pears’s reedy pipings, although Pears remains the bigger master of eloquent diction, inflection and the floating of long phrases...But I still listened with plenty of pleasure, buoyed by Tritschler’s intelligence, the music, and its multiple shades of feeling.
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