Schnittke
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Came for the title, stayed for the jazz harpsichord. Horovitz’s concerto fares best, written for the instrument itself, whereas it sounds harried and frenetic in the other transcriptions. —
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Schnittke: Concerto Grosso No. 1 & Trio Sonata
Liana Isakadze, Oleh Krysa (violin), Alfred Schnittke, Natalia Mandenova, Georgian Chamber Orchestra, Yuri Bashmet (viola), Moscow Soloists, Saulius Sondeckis
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Schnittke: Hymns – Denisov: Chamber Symphony
Alexander Ivashkin (cello), Irina Pashinskaya, Victor Grishin, Valeri Bartsalkin, Yuri Rudometkin, Vera Chasovennaya, Nikolai Grishin, Bolshoi Theatre Orchestra, Alexander Lazarev
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