Help
Skip to main content

Some Like It Plucked

Patrick Ayrton

Some Like It Plucked
Came for the title, stayed for the jazz harpsichord. Horovitz’s concerto fares best, written for the instrument itself, whereas it sounds harried and frenetic in the other transcriptions.

Some Like It Plucked

Patrick Ayrton

Purchase product

CD

$17.75

2 available: usually despatched in 3 - 4 working days

Download

From$11.00

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$18.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$15.00

320 kbps, MP3

$11.00

No digital booklet included

Stream now Hi-RES 96 kHz, 24 bit
Came for the title, stayed for the jazz harpsichord. Horovitz’s concerto fares best, written for the instrument itself, whereas it sounds harried and frenetic in the other transcriptions.

About

On "Some Like it Plucked" harpsichordist, organist and conductor Patrick Ayrton successfully combines jazz and 20th century piano pieces in arrangements for harpsichord. Ayrton's ensemble Les Inventions and violinist Thomas Gould join in for the piece de resistance of this album: Joseph Horovitz's 1965 Jazz Harpsichord Concerto.

In this highly entertaining concerto, Horovitz ingeniously crosses Vivaldian sonata and concerto forms with Gershwinian harmonies in what the composer describes himself as "an attempt to fuse Baroque structures into a modern conception of swing texture".

This album forms an important addition to the very limited repertoire of jazz recordings involving harpsichord. "Some Like it Plucked" is available as a hand numbered 1.000 copy limited edition.

Contents and tracklist

I. Pastorale
Track length3:38
II. Ballet
Track length2:18
III. Menuet
Track length3:08
IV. Fugue
Track length2:26
V. Pantomime
Track length3:46
I. Rag
Track length2:36
II. Boston
Track length2:44
III. Tango
Track length2:01
IV. Blues
Track length1:52
V. Charleston
Track length1:45
VI. Black Bottom
Track length2:00
I. Allegro
Track length6:43
II. Slow Blues
Track length5:51
III. Vivace
Track length4:12

Awards and reviews

September 2019

Came for the title, stayed for the jazz harpsichord. Horovitz’s concerto fares best, written for the instrument itself, whereas it sounds harried and frenetic in the other transcriptions.
View download progress