Rameau - Zoroastre
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Special offer. Rameau: Zoroastre
Mark Padmore, Nathan Berg, Gaëlle Méchaly, Anna-Maria Panzarella, Matthieu Lécroart, François Bazola, Éric Martin Bonnet, Stéphanie Révidat
Les Arts Florissants, William Christie
To describe Zoroastre as one of Rameau's most uncompromising music-dramas may seem strange when you consider that when it was revived in 1756, seven years after its premiere had met a rather... —
Awards:
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Gramophone Magazine, May 2003, Editor's Choice
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Special offer. Rameau: Zoroastre
Mark Padmore (Zoroastre), Gaelle Mechaly (Amelite), Matthieu Lecroart (Zopire, La Vengeance), Eric Martin Bonnet (Oromases, Ariman), Nathan Berg (Abramane), Anna-Maria Panzarella (Erinice), Francois Bazola (Narbanor) & Stephanie Revidat (Cephie)
Les Arts Florissants, William Christie
Mark Padmore justly heads the cast-list but there are no vocal weaknesses in this production. As Robert Hugill rightly says, however, it’s the sure hand of William Christie... and the thoughtful... —
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Special offer. William Christie & Les Arts Florissants - In Celebration
30th Anniversary Collection
Les Arts Florissants, William Christie
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Special offer. Rameau: Zoroastre
Anders J Dahlin (Zoroastre), Evgueniy Alexiev (Abramane), Sine Bundgaard (Amélite), Anna Maria Panzarella (Erinice), Lars Arvidson (Zopire/La Vengeance), Marcus Schwartz (Narbanor), Gerard Théruel (Oromasès/Ariman), Ditte Andersen (Céphie)
The Drottningholm Theatre Orchestra and Chorus &...
Christophe Rousset and his forces deliver an excellently paced reading and much of the singing is perfectly judged. Pierre Audi's production, while it moves the cast around efficiently enough,... —
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Special offer. Rameau: Zoroastre
Anders J Dahlin (Zoroastre), Evgueniy Alexiev (Abramane), Sine Bundgaard (Amélite), Anna Maria Panzarella (Erinice), Lars Arvidson (Zopire/La Vengeance), Marcus Schwartz (Narbanor), Gerard Théruel (Oromasès/Ariman), Ditte Andersen (Céphie)
The Drottningholm Theatre Orchestra and Chorus &...
Christophe Rousset and his forces deliver an excellently paced reading and much of the singing is perfectly judged. Pierre Audi's production, while it moves the cast around efficiently enough,... —
