Castello, D - Sonata No. 17 in ecco
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The idiom of the music is attractive, and the performances are fluent, though the recording doesn’t always allow the violinists to soar free of their continuo accompaniment into the church acoustic.... —
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A crisp and vivid evocation of the milieu of Venice, 1629. That was the year Heinrich Schütz went to Venice and encountered the music of Monteverdi and his acolytes. The playing is faultlessly... —