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Venice 1629

The Gonzaga Band

Venice 1629
A crisp and vivid evocation of the milieu of Venice, 1629. That was the year Heinrich Schütz went to Venice and encountered the music of Monteverdi and his acolytes. The playing is faultlessly...

Venice 1629

The Gonzaga Band

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A crisp and vivid evocation of the milieu of Venice, 1629. That was the year Heinrich Schütz went to Venice and encountered the music of Monteverdi and his acolytes. The playing is faultlessly...

About

1629 was a remarkable year for new music in Venice. Heinrich Schütz came to the city to learn of the new Italian style from Claudio Monteverdi and his contemporaries, publishing his seminal first volume of Symphoniae Sacrae during his visit. Further innovative collections from Dario Castello, Alessandro Grandi and Biagio Marini contributed to this pivotal moment in the development of the early Baroque style. Acclaimed period ensemble The Gonzaga Band makes its Resonus debut with a fascinating programme that encapsulates an extraordinary year in the life of this most musical of cities.

Contents and tracklist

Awards and reviews

October 2018

A crisp and vivid evocation of the milieu of Venice, 1629. That was the year Heinrich Schütz went to Venice and encountered the music of Monteverdi and his acolytes. The playing is faultlessly stylish.

March 2019

Two solo motets and Monteverdi’s Exulta, filia Sion are sung by Faye Newton with sparkling clarity of tone, eloquent diction and relaxed embellishments of rare intelligence…Violinists Oliver Webber and Theresa caudle, cornettists Jamie Savan and Helen Roberts and keyboardists Steven Devine play with abundant fluency, shapely virtuosity and brilliant sonorities.
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