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Special offer. Meyerbeer: Margherita d'Anjou

Lorenzo Izzo (soprano), Dielli Hoxha (bass-baritone), Giulia De Blasis (soprano), Gaia Petrone (mezzo-soprano), Anton Rositskiy (tenor), Elena Tereshchenko (soprano), Arcangelo Carbotti (tenor), Bastian Thomas Kohl (bass)

Piacenza Muncipal Theatre Chorus, Fabio Luisi

Meyerbeer: Margherita d'Anjou
Luisi keeps a relaxed hand on the proceedings and, if you are prepared for one or two vocal glitches in the brave name of ‘going for it’, the performance is compelling.

Special offer. Meyerbeer: Margherita d'Anjou

Lorenzo Izzo (soprano), Dielli Hoxha (bass-baritone), Giulia De Blasis (soprano), Gaia Petrone (mezzo-soprano), Anton Rositskiy (tenor), Elena Tereshchenko (soprano), Arcangelo Carbotti (tenor), Bastian Thomas Kohl (bass)

Piacenza Muncipal Theatre Chorus, Fabio Luisi

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No digital booklet included

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Luisi keeps a relaxed hand on the proceedings and, if you are prepared for one or two vocal glitches in the brave name of ‘going for it’, the performance is compelling.

About

Margherita d’Anjou was Giacomo Meyerbeer’s fourth opera in Italian and his first real success. After an absence from the stage of about 150 years, it returned at the 43rd Festival della Valle d'Itria in an outstanding production. Director Alessandro Talevi’s ironical setting - where the War of the Roses takes place at the London Fashion Week - is perfectly matched by the elegant direction of Fabio Luisi with the Orchestra Internazionale d’Italia. The opera, which belongs to the semi-serious genre, moves from the warlike tones of Act One to the idyllic ones of Act Two, where both female protagonists appear: the queen, a soprano, and the wife, a contralto; both seek the love of an heroic tenor equally daring in battle and in music.

Contents and tracklist

Sinfonia militare (Live)
Track length6:17
Act I: Quattro! Cinque! (Live)
Track length5:43
Act I: Miei fedeli, queste prove (Live)
Track length4:11
Act I: Ma qual suono da lunge si ascolta? (Live)
Track length3:42
Act I: Profittiam del tumulto - Si signori (Live)
Track length2:00
Act I: Alfin respiro! I voti miei son paghi (Live)
Track length2:22
Act I: Ah! Tu non sai com' io l'adoro (Live)
Track length8:17
Act I: Insomma, mia signora (Live)
Track length0:58
Act I: Fra gli applausi e lieti evviva (Live)
Track length2:14
Act I: Regina, al nostro, oprar (Live)
Track length2:16
Act I: E riposta in questi accenti (Live)
Track length8:51
Act I: Maesta, due Francesi (Live)
Track length6:15
Act I: Si mesto e pensoso (Live)
Track length8:16
Act I: E Carlo ancor non torna? (Live)
Track length2:39
Act I: Fra quest'ombre, e queste rupi (Live)
Track length7:01
Act I: Zitto, zitto (Live)
Track length5:03
Act I: Crudel cimento! (Live)
Track length3:02
Act I: Fissami gli occhi in fronte (Live)
Track length7:19
Act I: Ma più d'appresso squilla la tromba (Live)
Track length3:42
Act II: Che bell'alba! (Live)
Track length6:06
Act II: Dolci alberghi di pace (Live)
Track length4:48
Act II: Che mai giova il serto? (Live)
Track length3:56
Act II: Un soldato! Un nemico! (Live)
Track length4:43
Act II: Ritiratevi, amici, ognun di voi (Live)
Track length3:25
Act II: Ah! Si. Pur troppo, io sono il più infelice (Live)
Track length3:05
Act II: Tu, che le vie segrete (Live)
Track length4:40
Act II: Eccomi di chirurgo e di dottore (Live)
Track length3:16
Act II: Pensa e guarda, amico, all'erta! (Live)
Track length5:27
Act II: Ecco, Alterzza, a voi davanti (Live)
Track length4:07
Act II: Oh! Rabbia! Oh furore! (Live)
Track length6:20
Act II: Che diamine, signora? (Live)
Track length1:22
Act II: O ciel! Qual mai contrasto (Live)
Track length1:58
Act II: Mio pianto rasciuga (Live)
Track length6:14
Act II: Ah! Sposo adorabile (Live)
Track length4:35

Awards and reviews

June 2018

Luisi keeps a relaxed hand on the proceedings and, if you are prepared for one or two vocal glitches in the brave name of ‘going for it’, the performance is compelling.

November 2019

This Margherita is an haute couture queen who runs a Fashion Week that conveniently has a medieval theme…Reaction to this faddish take on the opera will of course be subjective…but I confess to having enjoyed it, albeit somewhat guiltily. It certainly helped that the musical side of the performance is up to the extraordinary demands that Meyerbeer makes upon his cast…Giulia De Blasis is brilliant in the extended passagework of Margherita’s solos.
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