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Mark Simpson: Night Music

Leonard Elschenbroich (cello), Alexei Grynyuk (piano), Richard Uttley (piano), Mark Simpson (clarinet), Ian Buckle (piano), Víkingur Ólafsson (piano), Nicholas Daniel (oboe), Guy Johnston (cello), Jonathan Small (oboe)

Mercury Quartet

Mark Simpson: Night Music
What hits home immediately in this magnificent collection is the music’s individuality and strength…Simpson’s blazing confidence, his full understanding of instrumental capabilities, and love...

Mark Simpson: Night Music

Leonard Elschenbroich (cello), Alexei Grynyuk (piano), Richard Uttley (piano), Mark Simpson (clarinet), Ian Buckle (piano), Víkingur Ólafsson (piano), Nicholas Daniel (oboe), Guy Johnston (cello), Jonathan Small (oboe)

Mercury Quartet

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What hits home immediately in this magnificent collection is the music’s individuality and strength…Simpson’s blazing confidence, his full understanding of instrumental capabilities, and love...

About

This recording of chamber music pieces by 27-year-old composer Mark Simpson features works spanning ten years. All are performed by the musicians and ensembles for whom they were originally written.

Mark Simpson's works are most often inspired by dark tones and atmospheres of loss, dreams, hauntings, intimacy and passion and, as with Night Music and Echoes and Embers, often embrace ambiguities of emotion and attitude with extremes of quietude and agitation, of fragility and power. His pieces are also his own musical response to poetry (Sylvia Plath’s Ariel, Ted Hughes’s Tales from Ovid for Windflower) or the mysteries and resonances of place (Barkham Fantasy whose genesis harks back to an eerie farmhouse on Dartmoor, and Nur Musik written during a stay in Berlin).

Mark's earliest work on this album, Un Regalo (2004), was written to celebrate the 300th birthday of Guy Johnston's cello and he wrote Love(escape) (2006) for his semi-final recital for the BBC Young Musician of the Year competition.

Contents and tracklist

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Awards and reviews

September 2016

What hits home immediately in this magnificent collection is the music’s individuality and strength…Simpson’s blazing confidence, his full understanding of instrumental capabilities, and love of pushing them to the edge…the recordings, from numerous venues, well-capture the music’s lustre and the performers’ full-throttle skills

August 2016

Simpson has an awful lot of music inside him, and plenteous discipline when it comes to writing it down…his use of space and silence is notable, as are his gift for melody…his ability to ratchet up drama and his refreshing lack of inhibition in reaching for orthodoxies of style or tonality…this is high quality music
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