The Liszt Legacy
Claudio Arrau (piano), Alicia de Larrocha (piano), Raymond Lewenthal (piano), Benno Moiseiwitsch (piano), Egon Petri (piano)
this is an enthralling collection which pianophiles will relish...carefully annotated and handsomely presented. We must hope for further treasures from the same source: the Decca vaults are...
The Liszt Legacy
Claudio Arrau (piano), Alicia de Larrocha (piano), Raymond Lewenthal (piano), Benno Moiseiwitsch (piano), Egon Petri (piano)
Purchase product
this is an enthralling collection which pianophiles will relish...carefully annotated and handsomely presented. We must hope for further treasures from the same source: the Decca vaults are...
About
The pièce de résistance of Deutsche Grammophon’s Liszt 200th anniversary celebration is a 10-CD box that brings together five great piano virtuosos of the past in a staggeringly display of virtuosity and “old-style” pianism – quite unlike anything else on offer in Liszt Year.
The artists – Claudio Arrau, Alicia de Larrocha, Raymond Lewenthal, Benno Moiseiwitch and Egon Petri - can be regarded as Liszt’s heirs for their astounding virtuosic command, for having created a repertoire of their own, or for having studied with Liszt’s own pupils or grand-pupils. The excellent booklet essay by Jed Distler sets out the very convincing rationale behind the choices.
The box draws exclusively on recordings from the American Decca and Westminster labels, most of which have never been released on CD, and, in the case of Claudio Arrau, are now being released for the very first time.
Painstakingly restored, the recordings, from the 1950s and early 1960s, both mono and stereo, have come up wonderfully well. Arrau plays previously unreleased Beethoven (five favourite sonatas) and Chopin; De Larrocha offers pristine accounts of her core repertoire of Granados, Turina and Mompou; Lewenthal has scintillating Scriabin, an incandescent programme of Toccatas and Encores; Moiseiwitch, in his last recorded sessions (New York, 1961), ranges from Beethoven and Schumann to Mussorgsky; and Petri unfolds an unforgettable programme of Liszt and Busoni. Each artist has two CDs to display his or her powers. A summary of content is below.
PACKAGING
The capbox cover is based on one of the original Westminster LP covers, and the 32-page colour booklet replicates several of the original LP covers
Contents and tracklist
- Claudio Arrau (piano)
- Recorded: 1954
- Recording Venue: New York
- Claudio Arrau (piano)
- Recorded: 1954
- Recording Venue: New York
- Claudio Arrau (piano)
- Recorded: 1954
- Recording Venue: New York
- Claudio Arrau (piano)
- Recorded: 1954
- Recording Venue: New York
- Claudio Arrau (piano)
- Recorded: 1954
- Recording Venue: New York
- Claudio Arrau (piano)
- Recorded: 1954
- Recording Venue: New York
- Alicia de Larrocha (piano)
- Recorded: 1953-11-03
- Recording Venue: Unknown, Bilbao
- Alicia de Larrocha (piano)
- Recorded: 1953-11-03
- Recording Venue: Unknown, Bilbao
- Alicia de Larrocha (piano)
- Recorded: 1953-11-03
- Recording Venue: Unknown, Bilbao
- Alicia de Larrocha (piano)
- Recorded: 1953-11-03
- Recording Venue: Unknown, Bilbao
- Alicia de Larrocha (piano)
- Recorded: 1956-01-11
- Recording Venue: New York
- Alicia de Larrocha (piano)
- Recorded: 1955-05-01
- Recording Venue: Unknown
- Alicia de Larrocha (piano)
- Recorded: 1955
- Recording Venue: Unknown
- Raymond Lewenthal (piano)
- Recorded: 1956-06-05
- Recording Venue: Esoteric Studios, New York
- Raymond Lewenthal (piano)
- Recorded: 1956-06-05
- Recording Venue: Esoteric Studios, New York
Awards and reviews
September 2012
this is an enthralling collection which pianophiles will relish...carefully annotated and handsomely presented. We must hope for further treasures from the same source: the Decca vaults are deep.
28th December 2011
Rather than featuring interpretations of Liszt pieces, this oddest of Liszt bicentennial tributes attempts to illustrate across 10CDs his influence not just as composer, but as instigator of a performance tradition of flamboyant virtuosity...Most impressive of all, Claudio Arrau's florid, involving delivery of Beethoven's "Appassionata" and "Moonlight" sonatas is virtually definitive.