Massenet - Elégie
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Massenet: Songs With Orchestra – II
Julien Henric, Thomas Dolié (baritone), Hélène Guilmette, Marie-Andrée Bouchard-Lesieur, Bertrand Dubos, Orchestre de l'Opéra Normandie Rouen, Pierre Dumoussaud
All four singers - Bouchard-Lesieur, Hélène Guilmette, Julien Henric and Thomas Dolié - walk a line between extrovert operatic singing and the emotional intimacy that makes Massenet so lovable. —
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Given Villa-Lobos’s close affinity with the last of these it’s no surprise that the various Bach Preludes and Fugues are generally the most convincing transcriptions. If the Dmajor fugue brings... —
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Enrico Caruso - Complete Recordings, Vol. 7
Selected arias for tenor and other voices by Verdi, Faure and more
Enrico Caruso (tenor), Frances Alda (soprano), Marcel Journet (bass), Luisa Tetrazzini (soprano), Josephine Jacoby (mezzo-soprano), Angelo Bada (baritone), Pasquale Amato (baritone), Geraldine Farrar (soprano), Antonio Scotti (baritone), Ernestine Schumann-Heink (mezzo-soprano), Gaetano Scognamiglio...
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…it's the Verdi group that is the heart of the first half. "In solitaria stanza", with its main theme closely resembling "Tacea la notte" from Il trovatore, must rank as one of the loveliest... —
Awards:
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Gramophone Magazine, November 2007, Editor's Choice
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Audio formats guide -
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$9.00 -
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French Elegy
Giacomo Sermoneta (performer), Beatrice Barison (performer), Alessandro Guaitolini (performer), Diego Di Paolo (performer), Lorenza Marta Grieco (performer), Lorenzo Rundo (performer), Elisa Eleonora Papandrea (performer), Angela Gravina (performer), Roma Tre Orchestra, Sieva Borzak
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Michael Rabin on the Bell Telephone Hour: 1954/62
Michael Rabiin (violin), Bell Telephone Orchestra, Donald Voorhees
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Caruso 1873
Roberto Alagna (tenor), Nicolas Montazaud (percussion), Julien Martineau (mandolin), Aleksandra Kurzak (soprano), Stéphanie-Marie Degand (violin), Yvan Cassar (piano), Rafal Siwek (bass), Orchestre National d'Ile de France
Alagna aims to replicate Caruso’s exact mannerisms, such as breathing patterns, tempos, vocal slides, flourishes and so on, But he also aims to reproduce not just a generalised historical style... —
