Naxos
-
Wojciech Kilar: Angelus, Exodus & Krzesany
Hasmik Papian (soprano)
Polish National Radio Symphony Orchestra, Cracow Philharmonic Chorus, Antoni Wit
The Polish choral and orchestral forces are first rate, engineering is excellent, and the price is right —
-
Lutosławski: Symphony No. 3, Paganini Variations, Paroles tissées
Bernd Glemser (piano), Piotr Kusiewicz (tenor), Adam Kruszewski (baritone)
Polish National Radio Symphony Orchestra, Antoni Wit
A series that is setting high standards in budget-price contemporary music....Wit conjures a fantastic range of tone colour from his well-drilled Polish orchestra ...the third symphony has never... —
-
Ginastera: Panambí & Estancia
Luis Gaeta (Narrator/Bass-baritone)
London Symphony Orchestra, Gisèle Ben-Dor
Alberto Ginastera comes over as an Argentinian Stravinsky in these two early ballets, which is by no means to denigrate their distinctively Latin American idiom. Glittering orchestration, and... —
-
Special offer. American Classics - David Diamond
Ilkka Talvi (violin)
Seattle Symphony Orchestra, Gerard Schwarz
-
Penderecki: A Polish Requiem
Izabella Klosinska (soprano), Jadwiga Rappé (alto), Ryszard Minkiewicz (tenor), Piotr Nowacki (bass)
Warsaw Philharmonic Orchestra, Antoni Wit
The Polish Requiem had its origins in a setting of the Lacrimosa dedicated to Gdansk shipyard workers who died during clashes with the Communist authorities in 1970. Though the work's tendency... —
-
Purchase product
Downloads
Audio formats guide -
Castelnuovo-Tedesco: Piano Concertos Nos. 1 & 2
Alessandro Marangoni (piano)
Malmö Symphony Orchestra, Andrew Mogrelia
played by the hyperactive pianist and orchestra with such scintillating abandon, the composer's charm and brio could, just possibly, bring a smile to even the most crusty and conservative listener...Excellently... —
-
Rodrigo: Complete Orchestral Works, Vol. 3
Asie Polo (cello), Mikhail Ovrutsky (violin)
Castille and León Symphony Orchestra, Max Bragado-Darman
-
-
Wilson's technically flawless and quietly unobtrusive performances of all this music reveal Marco to be a master who suffers nothing in comparison with Francesco da Milano...Indeed if discs... —