Mode
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Speach: Reflections
Lois Martin (viola), David Heiss (cello), Anthony de Mare (piano), Jeffrey Schanzer (prepared guitar), Bernadette Speach (toy piano), Thulani Davis (narrator), Alva Rogers (voice), Mark Dresser (double bass), Rozanna (viola), Bernadette Speach (piano), Jeffrey Schanzer (guitar)
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Breathing Songs
Thomasa Eckert (soprano), John Duykers (tenor), Deborah Deloria (double bass), Andy Narell (steeldrums)
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Pape: Ascension au Purgatoire
Janet Pape (soprano), Armelle Orieux (soprano), Roland Auzet (percussion), Rohan de Saram (cello), Nicholas Isherwood (bass), Maurizio Barbetti (viola), Irvine Arditti (violin)
Alain Bancquart, Lionel Arnaud
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Special offer. Harrison: Suites for Tuned Guitars
John Schneider (guitar), Erin Barnes (percussion)
Bill Alves
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Empreintes, Veils & Shards
Eric Daubresse (electronics), Dominique My (piano), Patrice Bocquillon (flute), Olivier Voize (clarinet), Isabelle Veyrier (cello), Stefan Tiedje (electronics)
Jeffrey Milarsky
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Chamber Music with Voice (And a Little Jazz)
J. Michael Dash (baritone), Christine Schadeberg (soprano), Tamzen Flanders (soprano), Sheldon Berkowitz (bass clarinet), William Trigg (percussion)
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Longstanding Rădulescu advocates Tunnell (his widow) and Pace here give performances of precision, commitment and imagination. —
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Wolpe in Jerusalem (1933-1938)
Ensemble Recherche & WDR Symphony Orchestra, Werner Herbers & and Johannes Kalitzkeon
The Passacaglia (1936-37), more familiar as a piano piece, complex and abstract, is also strongly directional with highly virtuoso use of the orchestra. More approachable for general listeners... —
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Scelsi Edition Volume 2: Orchestral Works 1
Vaillancourt (soprano) & Ahlstedt (tenor)
Carnegie Mellon Philharmonic & Choir, Juan Pablo
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