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…a fine example of Cage's music as it should be, full of contradiction… assertive but never brusque, forceful but not violent, innocent but not naïve, playful but never trivial. …Joste tackles... —
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Cage: The Number Pieces, Vol. 1
Ami Flammer (violin), Dominique Alchourroun (piano), Martine Joste (piano), Jean Michaut (rain stick)
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Luminar
Haydée Schvartz (piano), Sofia Asunción Claro (harp), Marie Kobayashi (mezzo-soprano)
Arvo Volmer, Olivier Cuendet
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Paradis
Jovita Zähl (piano), Philipp Kronbichler (piano)
Chamber Choir of the University of Cologne, Michael Ostrzyga
[paradis] here the textures are open and spare, and this allows the sounds made by the pianos’ mechanisms themselves to come into the foreground. I find this magical and mysterious, and even... —
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Henri Pousseur: Works for Flute
Roberto Fabbriciani (flute), Henri Pousseur (electronics), Alvise Vidolin (electronics)
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Special offer. Malcolm Goldstein: Soweto Stomp
Malcolm Goldstein (violin, direction)
The Ratchet Orchestra
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