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Hyperion

Showing 691 - 700 of 2,093 results
Showing 691 - 700 of 2,093 results
  • Robert Quinney (organ)

    Westminster Abbey Choir, James O'Donnell

    Where words and music most happily merge - for instance in Gibbons's Hosanna to the Son of David - the director and his vocalists exude confidence, animating melodic lines gracefully to reach...BBC Music Magazine, March 2011, 3 out of 5 starsMore…

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  • with DOMINIC MARTELLI boy soprano, RACHEL MASTERS harp, GARY KETTEL percussion, THOMAS TROTTER organ, with CATHERINE DENLEY mezzo soprano

    Corydon Singers, Matthew Best

    Half of this programme is devoted to unaccompanied choral music by Copland: In the Beginning, a striking 15-minute 'Creation' for mixed four-part chorus and solo mezzo (which is eloquently executed...Gramophone Classical Music Guide, 2010More…

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  • Holst Singers, Stephen Layton

    These splendid performances highlight the music's elemental aspects (not just evocations of forces of nature but the spirit of the country, long suppressed by occupiers), the Holst Singers'...BBC Music Magazine, May 2008, 4 out of 5 starsMore…

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  • Steven Osborne (piano)

    here Osborne’s phrasing and pacing is pure and poetic, as well as raptly atmospheric in ‘The Snow is Dancing’ and it finishes with a deliciously louche cake-walk.BBC Music Magazine, October 2017, 4 out of 5 starsMore…

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  • This two-CD set is the most representative recording of Hahn's songs ever made. It includes the complete Etudes Latines and Rondels (both with choir) as well as many of his most familiar songs.

    Dame Felicity Lott (soprano), Susan Bickley (mezzo soprano), Ian Bostridge (tenor), Stephen Varcoe (baritone)

    The London Schubert Chorale, Stephen Layton

    The two cycles, Douze rondels and Etudes latines, are linked by a common fascination with the past.
    The Douze rondels were composed to poems in a medieval metre, which allowed Hahn to try his...
    Gramophone Classical Music Guide, 2010More…

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  • Katherine Watson (soprano), Helen Charlston (mezzo-soprano), Iestyn Davies (countertenor), Gwilym Bowen (tenor), Neal Davies (bass)

    Trinity College Choir Cambridge, Orchestra of the Age of Enlightenment, Stephen Layton

    [Iestyn Davies] discharges a beautifully inflected ‘Qui sedes’, impeccably warmed and coloured by a discreet vibrato that instinctively knows its expressive place…Watson’s soaring soprano also...BBC Music Magazine, May 2018, 4 out of 5 starsMore…

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  • & motets

    De Profundis, Robert Hollingworth

    The most impressive work here is the Mass which is presented within a liturgical framework…in Versus est in luctum De Vivanco even approaches the sublimity of Victoria. However, these pieces...BBC Music Magazine, October 2018, 4 out of 5 stars/3 out of 5 starsMore…

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  • Piers Lane (piano), The Orchestra Now, Leon Botstein

    Rubbra’s Piano Concerto in G major is something special…Piers Lane’s solo playing throughout is a phenomenon of tireless technical strength, always beautifully aligned to each work’s different...BBC Music Magazine, September 2020, 4 out of 5 starsMore…

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  • A rewarding collection, very well played and recordedPenguin GuideMore…

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  • Marc-André Hamelin (piano)

    Ulster Orchestra, Dmitry Sitkovetsky

    After Hamelin's fantastic virtuosity in the outrageously difficult Godowsky Studies on Chopin'sEtudes (for which he won the Gramophone Instrumental Award 2000) these two works for piano and...Gramophone Classical Music Guide, 2010More…

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