Hyperion

With playing that’s never less than well-considered, gleaming and enjoyable, Lane is an excellent guide to these impassioned worlds – although at times, particularly in the Rachmaninov, there’s... — BBC Music Magazine, May 2024, 4 out of 5 starsMore…

Vaughan Williams's Dona nobis pacem is a work that wastes no time cutting to the quick, and nor does this performance of it: in the opening Agnus Dei soprano Sarah Fox is immediately intense... — BBC Music Magazine, June 2015, 4 out of 5 starsMore…

Bridge’s Cello Sonata incline more to rhapsody than rhetoric, and draws particularly heartfelt playing from Clein and Hadland in the lingeringly regretful opening of the second movement…[The... — BBC Music Magazine, March 2019, 4 out of 5 starsMore…

Thankfully, the scholars have more sense than to draw precise parallels between any particular piece of music and a particular sculpture…the six adult male singers of The Binchois Consort under... — Gramophone Magazine, September 2018More…

Phillips pounces on all the details that matter: dissonances crunch satisfactorily, imitative points are tightly nested, and light streams through thick homophony…The choir is fresh-sounding,... — BBC Music Magazine, March 2019, 4 out of 5 starsMore…

Ohlsson may not inhabit Manuel de Falla’s sultry and exuberant piano-writing as Alicia de Larrocha or Javier Perianes do, yet he embraces the idiom with ease and fluidity, and leaves few small... — Gramophone Magazine, March 2018More…

...the best of the young singers here is the mezzo Anna Grevelius...As in previous volumes, Eugene Asti plays with a refreshingly light touch and a lively sense of rhythm. — Gramophone Magazine, September 2010More…