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Lonquich’s hearty serving of late Schubert is one to return to. The German pianist approaches these expansive sonatas with great perceptiveness and feeling. —
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International Classical Music Awards, 2019, Nominee - Solo Music
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Charpentier & Desmarest: Te Deum
Jehanne Amzal, Eugenie Lefebvre, Clement Debieuvre, Francois-Olivier Jean, Francois Joron, Jean-Christophe Laniece, David Witczak, Ensemble Les Surprises, Louis-Noel Bestion de Camboulas
There is fluency and panache in the sequence of concise and flowing movements, and interspersed amid the grandeur accomplished soloists emerge from the choir for moments of intimacy. —
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International Classical Music Awards, 2025, Nominated - Baroque Vocal
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Desmarets & Campra: Iphigénie en Tauride
Véronique Gens (Iphigénie), Reinoud Van Mechelen (Pylade), Thomas Dolié (Oreste), David Witczak (Thoas), Olivia Doray (Électre), Floriane Hasler (Diane), Tomislav Lavoie (L'Ordonnateur, L'Océan), Antonin Rondepierre (Un Haitant De Délos, Triton, Le Grand Sacrificateur), Jehanne Amzal (Isménide, Première...
Véronique Gens is commanding in the title role, bringing authority and hauteur in her scenes as the high priestess of Diana, and touching sensibility during her encounters with her brother Oreste...Hervé... —
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International Classical Music Awards, 2026, Nominated - Opera
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Shostakovich: Symphony No. 14
Asmik Grigorian (soprano), Matthias Goerne (baritone), Orchestre Philharmonique de Radio France, Mikko Franck
Goerne’s background in Lieder serves him well, but Grigorian makes the whole performance. This takes nothing away from the perfectly satisfying conducting of Mikko Franck and the excellent playing... —
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International Classical Music Awards, 2024, Nominated - Symphonic
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They repeatedly strike an incredibly fine emotional balance, and make it sound as if it’s the most natural thing in the world. There’s nothing precious or overwrought about these accounts: they’re... —
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Gramophone Magazine, Awards Issue 2020, Editor's Choice
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Building a Library, November 2023, Also recommended - BWV1041
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Papavrami is not only technically proficient throughout, but also has the knack of interpreting the phrasings and counterpoint with clarity and nuance. His tone is bright and his intonation... —
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Sunday Times, 10 Best Classical Albums of 2021
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As to where Kerson Leong stands in the comparative stakes, fairly near the top, that’s for sure – his version could be a happy first choice for any discerning listener. —
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International Classical Music Awards, 2022, Nominated - Solo Instrument
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[Libeer] and Lorenzo Gatto cover the ground like thoroughbreds, with exemplary virtuosity…an alert, personable recital —
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Diapason d’Or de l’Année, 2016, Winner - Musique de Chambre
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