Shostakovich: Symphony No. 14
Asmik Grigorian (soprano), Matthias Goerne (baritone), Orchestre Philharmonique de Radio France, Mikko Franck
Awards:
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International Classical Music Awards, 2024, Nominated - Symphonic
Goerne’s background in Lieder serves him well, but Grigorian makes the whole performance. This takes nothing away from the perfectly satisfying conducting of Mikko Franck and the excellent playing...
Shostakovich: Symphony No. 14
Asmik Grigorian (soprano), Matthias Goerne (baritone), Orchestre Philharmonique de Radio France, Mikko Franck
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Awards:
-
International Classical Music Awards, 2024, Nominated - Symphonic
Goerne’s background in Lieder serves him well, but Grigorian makes the whole performance. This takes nothing away from the perfectly satisfying conducting of Mikko Franck and the excellent playing...
About
The baritone Matthias Goerne, the Orchestre Philharmonique de Radio France and Mikko Franck launch a trilogy of Shostakovich’s works for baritone and orchestra with a recording of Symphony No.14. This will be followed by Symphony no.13 (Babi Yar) and the Suite on poems by Michelangelo Buonarroti. The soprano Asmik Grigorian joins Matthias Goerne for this monumental yet highly subtle symphony setting poems by García Lorca, Apollinaire, Küchelbecker and Rilke. Drawing on their vast experience of the work and the passion that characterises them, they successfully embody all its dimensions: ‘The interpretative difficulty of this symphony is the need to hunt out subtle clues that are not immediately perceptible; a formidable expressive force is generated by their multiplicity, which, like a jigsaw puzzle, eventually makes sense’, writes Benjamin François. ‘It is Shostakovich’s fundamental affirmation that the inhuman actions of the executioners, Stalin and his henchmen, may well cause physical death, but cannot prevent the continued spiritual existence of works of art.’
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Awards and reviews
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International Classical Music Awards2024Nominated - Symphonic
Mar/Apr 2024
Goerne’s background in Lieder serves him well, but Grigorian makes the whole performance. This takes nothing away from the perfectly satisfying conducting of Mikko Franck and the excellent playing by the Radio France Philharmonic, which is captured in the most vivid, immediate recorded sound of any version I know.